[INTRO] With only three actors, three chairs and a room full of space, a story was created within a story through dynamic physicality, contemporary beats and both classic and modern text. Zen Zen Zo’s performers are currently travelling Queensland entertaining teachers and students from grades 8-12 with their physical theatre performance of ‘Romeo & Juliet’ which was directed and designed by Steven Mitchell Wright. Throughout the performance movement, mood and music were used in new and exciting ways by Mitchell Write to explore the message of love triumphing over all/rejecting authority. (Which one am I supposed to do?) Do rejecting authority, because you relate to it better and you can make references to current teen culture… [CONTEMPORARY PERSPECTIVES] The main message of the performance Romeo and Juliet rejecting authority of their parents.
Micah is this manly sort of man who feels that he can take care of the demon and his girlfriend. Katie becomes extremely annoyed by the antics of Micah and tries to find help in other Zhao 1 ways. Another reason why I enjoyed the actors was because they made everything seem so real. They made the sleeping, the arguments, and the existence of demons real. You also see the change in Micah, he goes from unafraid, and not disturbed by her past, to a complete 360.
His entrance was always the last and most spectacular and included lots of people bowing to him. Louis was a good dancer. He was taught by Charles Louis Beauchamp who became responsible for the choreography in the opera- ballets produced by Lully and the comedy ballets produced by Moliere. Beauchamp partnered the king himself –dressed as a girl in Le Triumphe de l’Amour, which was presented, at court in 1681. This opera ballet is important because it was the first one to be danced professionally for the public.
At the end of the show, Satine succumbed to her illness. She and Christian affirmed their love before she dies. A year later the Moulin Rouge has closed down, and Christian was writing the tale of his love for Satine, a "love that will live forever". Moulin Rouge is a romantic musical like no other. It is flamboyant in style with over-the-top musical numbers and elaborate sets and costumes.
Some of the sets were simple but the lighting and props made them magical. The old photos of New York blown up & projected on the back of the stage really created the sense of being there, in that era. I also thought the costumes were ingenious, they helped to tell us who was who. The Sharks and their girls in their really bright, flamboyant outfits contrasted with the Jets who almost appeared to be a uniform. The performers portrayed their characters to perfection.
This novel is well known for many things, but possibly the most well-noted is its rites-of-passage portrayal and throughout many phrases and paragraphs can be extracted that add to this. At the beginning of the book, it is clear that Jim has been well-protected from the outside world by his parents and knows fairly little of it, as any 11 year-old would. On the second page in Ballard writes: “like all children, Jim was intrigued by alcohol but vaguely disapproved of it,” the fact that Jim was ‘intrigued’ by alcohol exhibits that he was curious of it, it was something he had never really understood. This highlights his youthfulness and innocence. A page after this, it is clear he has great interest in childish things: “Yang enjoyed impressing his eleven-year-old passenger with tall tales of film stunts and trick effects.” Young children, generally, enjoy stories told with great exaggeration and ‘tall tales’ implies that these stories were only partly true, most likely exaggerated to please and ‘impress’ Jim.
Pietri encourages the immigrants to keep their language alive. That is, they should not change their language for any reason. He speaks further that the language will help them to have a close relationship among themselves. Accepting American language creates hatred among them when they compare how better they can speak English among themselves. As pietri writes, ”Manuel/died hating all of them/Juan/Miguel/Milagros/and Olga/because they all speak broken english/more fluently than he did”(54).
Alen Menken got his first big break in January of 1979 with Howard Ashman in the Off-Broadway production “God Bless you, Mr. Rosewater.” Three years later he received a Drama Desk Award nomination for Outstanding Music in his Off-Broadway Production “Little Shop of Horrors” and from that in January of 1987 Menken was given his first Oscar nomination for a song with in it called “Mean Green Mother from Outer Space.” In 1990 Menken was nominated for three Oscar nominations and three Golden Globe Nominations and went on to win two of each for his work in the Walt Disney production “The Little Mermaid”. He went on to work with Walt Disney in the making of “Beauty and the Beast”, “Aladdin”, “Pocahontas”, “The Hunchback of Notre Dame”, and “Hercules.” In 2001 Menken was given the tremendous honor of being a Disney Legend. But he didn’t stop there. He kept working on titles such as, “Home on the Range”, “Enchanted”, “Tangled”, and “Mirror Mirror.”He has won a total of 8 Oscars, 7 Golden Globes, 2 Saturns, and 1 Grammy. Right now he is 63 years old and continues to work.
Although I felt greatly accomplished for overcoming my inability to communicate with others, there was no way to hide my Latin roots for my accent would often reveal my true identity giving some wiggle room to those who thought racist comments were still great jokes. To overcome my fear of being persecuted again, I joined my school’s drama club. During my sophomore year of high school, my drama directors announced that next year’s musical would be “Hairspray”. My heart leaped out of my chest and my jaw dropped to the ground. This was the opportunity of a lifetime, and I knew that I had a shot at getting the lead.
There also pouring out there heart trying to get the girl back because they can’t live without her. The lyrics are very emotional, and fall under the category under romance. It was 3 members In BOYZ 2 MEN. Wanya Morris, born July 29, 1973, is a founding member of legendary R&B group Boyz II Men. Wanya, together with Shawn Stockman, and Nathan Morris (no relation) formed Boyz II Men as students at the prestigious Philadelphia High School for Creative and Performing Arts.