has identified four major areas in which translators face problems – rasa, riti, alamkara and dhvani. One of the main theories, if not the most important theory, of Sanskrit aesthetics is the theory of rasa. Propounded by Bharata in his work Natyashastra, rasa is the ultimate emotional pleasure that can be derived from a work of art. Bharata gives a formula for the arousal of rasa – vibhavanubhava vyabhichari samyogad rasa nispatti – which means that the combination of vibhava, anubhava and
conveys the message in the poem to the spectator, and in the process spectator reciprocates, rasa is said to be created. Rasa is about human state of mind. Its about what the mind feels and the expression of the feeling thereafter. In the Bharata’s Natyashastra, Rasa is an emotion experienced by the audience created by the facial expression or the Bhava of the actor. In indian classical dance
to Shakespeare’s A Midsummer Night’s Dream By: Aditi Anil Mahajan Introduction to The Theory of Rasa The Theory of Rasa has had a pre-imminent place in Indian Poetics since the classical Sanskrit period. Bharata’s work on dramatics, the Natyashastra has referred to Rasa as ‘the delight that the audience derives from its experience of the generalized emotions presented in the drama.’ According to general sense Rasa means taste or relish. In the technical sense it means the well
Abhinavagupta on Aesthetics Abhinavagupta, a distinguished philosopher, aesthete and saint was one of the most outstanding Acharyas of Monistic Shaivism. His exact date of birth is not known but we learn from references about him in his works Tantraloka and Paratrimshika Vivarana that he lived in Kashmir about the end of the tenth and beginning of the eleventh century A.D. The earliest known ancestor of Abhinavagupta was a famous Brahmin, Attrigupta, a great Shaiva teacher and scholar of Kanauj
NAME : LATA SURENDRA COUNTRY: (INDIA) ADDRESS: ROW HOUSE E 5, BLOSSOM SOCIETY, BEHIND PANCHVATI HOTEL, AMBADI ROAD, VASAI WEST, THANE- 401-202, INDIA. TITLE OF PRESENTATION : IN STEP WITH BHARATA NATYAM Introduction:
Q1. India is a rich country inits cultural heritage ? Discuss, justify & illustrate your answer. Culture and Heritage | India is among the fortunate countries in the world that are ecstatic with the treasures of such an opulent and diverse melange of culture. The Indian culture is apparent in each and every aspect of congenial life extending back to an indiscrete stroke of over 5000 years. The glorious Culture and Heritage of India have invariably ameliorated by the consecutive billows
Civil Services Examination 2013 Target 2013 Conventional General Studies-39 Indian Culture- Comepndium of Basics www.gktoday.in 1 1. Religions Religion has been an important part of India’s culture throughout its history. Religious diversity and religious tolerance are both established in the country by law and custom. A vast majority of Indians (over 93%) associate themselves with a religion. Four of the world's major religious traditions; Hinduism, Buddhism, Jainism and Sikhism are originated