Belonging Maos Last Dancer

1075 Words5 Pages
To belong or not to belong hello students, today i will be explaining my visual text, Mao’s last dancer directed by Bruce Beresford and I will elaborate into further detail throughout my speech on how it represents and is linked with belonging. I will be focusing on the protagonist Li Cunxin and on various film techniques Beresford uses. A sense of belonging or not belonging greatly influences an individual’s identity. Through Li’s relocation into America, he experiences an altered and different culture which creates a transformed sense of belonging. This is presented in the first few opening scenes. In the introductory scene, Beresford uses non-diegetic music which is a Chinese flute being played in the background which represents Li’s Chinese culture. The director also uses spot sounds amplifying Li’s footsteps indicating an alteration as he is walking towards the exit of the airport. There is an extreme close up on Li’s badge as he is walking which is a picture of Mao Zedong which signifies Li’s culture. When Li is greeted through hugging, kiss on the cheek and presented flowers from numerous people as a custom of welcoming the camera displays a close-up shot of his facial expressions emphasising Li’s astonished face making it evident he is new to American culture. The next scene Li is in the car observing his surroundings. Beresford uses a point of view shot showing the audience Li’s view which displays soaring buildings from a low angle shot illustrating the giant buildings power. There is a close up shot on Li’s face exaggerating his overwhelmed facial expression as he has never seen such magnificent vast buildings and technology before. Bright and delightful music comes in played by strings accompanied by the harp and percussion which expresses Li’s thoughts and creates an exciting atmosphere. As Li is having a bath, Asian music from the flute starts playing

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