Beauty Of Autumn

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Beauty of Autumn Beauty of Autumn In the poems “To Autumn” by John Keats and “A Vagabond Song” by Bliss Carman, the poets personify autumn to express its beauty. In his poem, Keats explains that autumn may be found “on a half reap’d furrow sound asleep” (Keats 16). Autumn is responsible for the creation of the furrow and can be found sleeping, taking a break from working on it. This is a creative way to point out the effects of autumn; the simple yet beautiful miracles that it is responsible for. In addition, in “To Autumn”, the speaker addresses autumn; “Think of not them, thou hast thy music too” (Keats 24). Autumn is personified as a self conscious girl that must be convinced of her value and beauty. Through this personification Keats alludes to the unpleasantness sometimes associated with autumn and how this should be dispelled. Similarly to how Keats personifies autumn to communicate its value, Carman also uses personification for this purpose. The colour of maples are given human abilities in his poem; “The scarlet of the maples can shake me like a cry / Of bugles going by” (Carman 5-6). Carman portrays the beauty of autumn by personifying elements of it. The scarlet of the maples “shakes” or excites the speaker and causes him to be restless and to want to follow autumn in its beauty. This is similar to Keats use of personification. Both poets show the importance of elements of nature, such as autumn as a whole and the colour of maple leaves, by personifying them to describe the effects they have; the creation of a furrow and exciting the speaker, respectively. Carman personifies autumn as a woman who “calls and calls each vagabond by name.” Autumn is portrayed as a confident, beautiful female that is calling to all vagabonds and who must be
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