She violently thrashed about looking for me, and I, innocent and unwilling to cooperate with the governess beckoning me over to her. I finally fell upon the governess’ line of sight and I immediately grew irritated with myself for not hiding
This leaves the reader wondering what’s next. “Life is Unpredictable” by Mikayla Jennings she quotes “I’m sure my voice started to shake and sound different. I know she has caught me in a lie, but I will never admit it” (para. 24). This quote helps to express how scared she really was.
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She is not even given a name, but rather, is identified by her roles only. This depersonalisation adds to a generalized view of this ‘typical’ woman. She is a stereotype. In fact, she does not utter an entire word throughout the story, she is metaphorically ‘gagged” and prevented from having a say at all. Other than when she leaves the note saying “you are pigs” to get an insight into how fed up she is with the situation.
The lady I could tell was in profuse pain, even through the shock of the accident, the emotions on her face just screamed bloody murder. I tried speaking with her, but there was no response besides the meager whimpers. I reached in and turned the car off, hoping that would stop any possibilities of the car igniting. As I was reached into the car, I noticed what this lady was dealing with. In horror, I had never seen anything like it.
“And then she gets to the part about we all poor and live in the slums which I don’t feature” (3). Sylvia is the protagonist of the story, her resistance and fear of learning shows just how blinded the children are to their situation. Sylvia is considered a very stubborn character, she tries to run from the fact that Ms Moore’s messages made any since at all. “What I want to know is….I never talk to her, I won’t give the bitch that satisfaction” (39). Ms Moore shows the children things they are not use to.
She was very afraid to lose Jesse and could not bear the thought of him being put into danger. When Jesse says, “Maybe I’ll never see you again” she replies, “NO, NO, NO!” and started sobbing on his shoulder (pg.
I was in a panic and I screamed out, but he suddenly covered my mouth and nose with his big hand. I struggled violently under his hand. I writhed under his tight grip, when he began to scream. He grew angry, “Now don’t,” he said. I don’t want you to yell.
Mrs Lyons relationship changed with Mr Lyons because they were argued about whether they should move. Mrs Lyons believed that she had been cursed she thought bad things happened to her so she wanted to move. This then made her insanity level rose dramatically she becomes crazy and mad. We decided to stage our work by using proxemics to show who was in control of the conversation. We did this by somebody moving towards somebody and the other person moving away from that
She asks “Wha’s the matter with me? Ain’t I got a right to talk to nobody?” (pg 87) She doesn’t get to talk to people very often, and when she saw her chance with Lennie, “her words tumbled out in a passion of communication, as though she hurried before her listener could be taken away.” (pg. 88) She was very desperate to want to talk to someone as dumb as Lennie, since normally people would try to avoid a mentally disabled person. She also wants to make sure that Lennie is listening to her when she says, “You listenin’?” (pg 88) Curley’s wife needs to be listened to, because just her talking wasn’t good enough for her. She needed the Lennie to understand her loneliness as well.