well, for the matter of fact all i had to do was make this up and it worked.... i hope. a central motif in the play is trickery or deceit, whether for good or evil purposes. counterfeiting, or concealing one's true feelings, is part of this motif. everyone seems to lie; good characters as well as evil ones engage in deceit as they attempt to conceal their feelings: beatrice and benedick mask their feelings for one another with bitter insults; don john spies on claudio and hero; don pedro and his 'crew' deceive benedick and beatrice. who hides and what is hidden?
Elizabeth sees his inner goodness shine when he refuses to lie about being involved in witchcraft, and she realizes how unfair she has been. John Proctor saves the lives of the others who are accused when he unselfishly declines to save his own. He acts as a martyr when he places others before himself. He would rather die an honorable death than live a dishonorable life, which is what precedes him to be the tragic hero of the play. John Proctor, being a very complex character stuck in a world full mischief, madness, and chaos shows a major change as the play unfolds.
He’s useless tricks display vanity and indicate his wastefulness to the audience. The Tempest is a problem play; Prospero is presented with the opportunity for spiteful revenge but realises the importance of forgiveness. Doctor Faustus is a morality play; he never realises the importance of repentance and banishes any opportunity to save himself, which results in his eternal damnation in hell. In the first act of the play, the audience is confronted with a magic fuelled spectacle. We see Prospero with the help or Ariel conjures the tempest.
Iago’s mean and insensitive manipulation is geared towards the innocent and ends up causing the destruction of Roderigo, Cassio, Desdemona, Emilia, and Othello. Iago’s ability to navigate human nature and use it to his own benefit is the tool that helps makes him evil. Jealousy is the center of this play with Iago's jealousies and own weaknesses being the main motivation for his exposing others’ flaws to destroy them. Iago’s motivation is clear right from the start of the play. “As early as the sixth line of the first scene of the first act this motive is predicated as basic data for the action which follows.
The characters IL Capitano and Tartuffe both display similar characteristics in terms of them both being pretenious, cowardly liars that are very hypocritical. Certaintly they manipulate people in order to gain a higher social hierarchy and talk themselves up to make them seem more superior to others, when in reality they are obviously not. The themes of a performance are used to express emotions and essence of life, they dramatically influence the audience. Through the main themes of love, lucre, lust and laughter it is clearly evident that Molieres Tartuffe is influenced by Commedia Dell'arte. Furthermore, through this evidence it
“It is pride, not covetousness, which is the Pardoner’s greatest sin.” How far do you agree? Pride has been traditionally considered the chief of sins due to it incorporating all aspects of the others as it involves false beliefs in a person’s own importance, is the sin through which Lucifer fell and became Satan and is the was the downfall of Adam and Eve due to them believing they could be gods themselves. In The Pardoner’s Tale the Pardoner is presented as ‘a ful vicious man’ implying that he has no morals and is engulfed by the sins that he preaches. Using the word ‘vicious’ is intriguing because of the sibilance and the snake-like onomatopoeic nature to the word. It represents him as almost inhuman as he has more serpent-like qualities.
Within the extremely popular play named ‘An Inspector Calls’ Priestly uses the play to expose the lies, deceit and overall hypocrisy of people during his time. Hypocrisy is usually demonstrated by virtue of pretending to have qualities or beliefs that you do not really have. In a literal sense, weakness is the state of lacking strength. However, Priestly portrays weakness as having personal defects or failings especially in lack of moral integrity. Again, Priestly shows wickedness somewhat detached from its literal meaning and instead shows wickedness in the characters departing from the rule of divine and moral law.
In Othello, Iago is a man of evil and Don John from Much Ado About Nothing, by Shakespeare is of the same mind set. Iago and Don John are both villains trying to achieve a sense of honor to feed their reputation, even if the stakes are losing everything and becoming a mockery. Both of them are very unstable, driving them to seek a stable reputation. Iago and Don John both see the world like reputation is everything. Shakespeare shows this through both Iago and Don John’s instability, by having both of them throw everything out on a limb just to boost their reputation.
The sin, which is exposed and confessed, frees the sinner from torturing inside under his conscience, but the sin, which is concealed and hidden, tends to deteriorate the sinner's bodily condition and cause death. Dimmesdale’s sin causes them to worry continually about their sins being discovered. This constant anxiety leads to the deterioration of both spiritual and physical health. For these reasons altogether, it is safe to say that concealed sin takes a greater toll on Arthur
Pray can I not, Though inclination be as sharp as will. My stronger guilt defeats my strong intent,” (III.iii.36-40). Claudius opens his soliloquy in a way that almost makes the reader feel sorry for him. A confession of his own immoral behavior to God that stems from a deep conviction. This is proof that Claudius is in a battle within himself.