Antithesis In Hamlet

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In the king’s monologue, Shakespeare’s use of antithesis creates a balanced contrast between Claudius’ real thoughts and lies that he is telling to the people. Such literary device not only emphasizes the contradiction in the king’s character but sets the border between the truth and the lie in his speech. When the king starts with the conjunction “though,” the reader can already be aware of the possible context of the second part of the sentence that will be contradicting with the first part. As Claudius talks about his brother, the contrast between the words “death” and “green” creates an effect of revealing Claudius’ insincerity as he talks about his brother. Also, when he talks about Old Hamlet, he does not call him “my brother.” In fact, he uses the first person plural pronoun “our” as if he tries to redeem himself from this connection to his brother. It also highlights his hatred toward Hamlet that Claudius tries to overcome and hide with the pronoun “our.” Throughout the whole monologue, the king never talks from the first person – on the contrary, he uses “we” as if he is hiding his face and his actions behind the faces of everybody else living in the kingdom. Shakespeare uses it to emphasize Claudius’ fear of admitting his own actions. Later in the monologue, the king describes Hamlet’s wife with the words “sister,” “queen,” and “imperial jointress,” tracing each of her so-called transformation. Such transition from “sometime sister” to “queen” would be seen as something disgusting and unacceptable by the public if Claudius did not use the possessive pronoun. In such way, he shows to the common people that he is doing it for the best of the kingdom and its people. With the use of such antithesis, the king hides the unacceptable with the necessary and people-favorable. In the end of the monologue, Claudius’ use of contrasting words “mirth in funeral” and

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