Lastly, Edgar’s crucial act of mercy led to his father Gloucester reaching an epiphany, that he was wrong by trusting Edmund. All three topics are relevant within Act IV and show how mercy is a critical aspect to life. I believe that mercy highly outweighs justice; mercy is the single most important quality to humankind which brings out peace. Whereas justice leads to an ongoing cycle of violence where nothing can get solved First, the mercy that King Lear willingly shows to Cordelia restores relationships. He openly states mercy towards Cordelia and says: “You do me wrong to take me out o’th’ grave: Thou art a soul in bliss; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead” (IV vii 45-47) This statement portrays how Lear admits that he was wrong in the past.
Creon is sorry for what he was done, he repents, but it is already too late. He only finds true justice when everything he cared for was gone. Creon’s tragic flaw was that he was resolute; he did not want Polynieces to be buried. He received multiple warnings that this would lead to his downfall. He was put into the position of King.
Gentlemen, I beg you to observe these girls: One has just now lost her mind; the other, It seems has never had a mind at all (1.150) said Creon. Creon humiliates his own nieces publicly. Tragic flaw is a very important characteristic for a tragic hero. Both Creon and Antigone have a very strong sense of pride, but Antigone’s tragic flaw is her lack of fight. Antigone was very heroic and brave at first, Creon now punishes her, and she does not fight back, but she simply badmouths her father.
People may feel intimidated by one’s sheer ability to lead and control. Like in the bible it says “pride goeth before destruction and a haughty spirit before a fall [Proverbs 16:18].” That quote from the Bible means that pride will cause one to fall or fail. “Better to be of a humble spirit with the lowly, than to divide the spoil with the proud [Proverbs 16:19].” Like in the story Oedipus, the king Oedipus was a good man with a tragic flaw; Oedipus, very over-confident in himself and based his life on pride. In the story he ended up gouging out his own eyes and exiling himself away from his kingdom. This pride overthrew him and took over him.
Character Flaw: Even though Oedipus is praised by his people for being a responsible and honest king, he possesses a major character flaw in his attitude towards the gods which causes the tragic torture he faces in the end. His incestuous ways are the outcome of anger from the gods for being intelligent and because the leader of the state is plagued with such a flaw the state must suffer for the wronging of the leader. Belief: This sense of contamination ultimately leads the gods to cleanse the state, household, and Oedipus by revealing the flaw to everyone and Oedipus at the same time. He is driven to the belief that he can control his own fate, and not leave it up to the gods. Lack of Belief: The people of the land are religious and live there lives according to what messengers and oracles tell them.
His actions in speaking to the ghost show extreme bravery (it could be the devil in disguise) but also a disregard for his own safety because he is already experiencing suicidal despair “I do not set my life at a pin's fee” and does not care if he lives or dies. Act 2 • Eager to avenge his father “Haste me to know it that I may with wings as swift as meditation or the thoughts of love sweep to my revenge” This can be interpreted as a good thing because it shows his loyalty to his father & his determination set things right in Denmark.
Unfortunately, Doodle was no match for his brother’s aggressive and selfish actions. In the end, Brother’s pride is to blame for Doodle’s untimely death. Brother’s pride was responsible for his opinion of Doodle. At times, Brother was kind and loving to Doodle, but the reader soon realizes that the narrator was mostly harsh and cruel to his brother. In the beginning of the story, Brother recounts the day Doodle was born, saying that he was a disappointment as soon as he entered the world.
Cordelia takes on this role by unconditionally loving her father and furthermore forgiving Lear for banishing her, which is seen when she says “No cause, no cause.” (4.7). Edgar takes on a similar role by forgiving his father for going against him when he was tricked by Edmund and taking care of Gloucester in his blindness at the end of the play. The other characters, however, give into temptation and sin more frequently. Pride, for example, is a prominent sin that affects many characters, Lear being a prime example. Lear's pride keeps him from listening to the advice of Kent, the king's most loyal follower, after he banishes Cordelia and admitting he may have been wrong.
Dimmesdale is now “considered by his more fervent admirers as a little less than a heaven-oriented apostle” (109). It saddens Dimmesdale that people are losing faith in him, because of the transformation of becoming torpid towards his profession as a reverend. As Dimmesdale felt worse about himself, the townspeople thought that “if Mr. Dimmesdale were to die, it was cause, that the world [is] not worthy to be any longer trodden by his feet” (109). The townspeople still thinks highly of Reverend Dimmesdale and they all knew that if he were to die, there would be no hesitation of him going to
Don Pedro’s loyalty towards his friend Claudio has portrayed him as an insensitive character regarding his comments about Hero. Don Pedro is so quick to believe that he has been “dishonour’d” by Hero that he clearly overlooks the fact that his villainous brother Don John, who has in fact lied before, is simply tricking him again. Some may regard Don Pedro as being loyal and trying to give what is best for his friend, but most think that Don Pedro’s actions portray him as an insensitive character who jumps to conclusions rather quickly. So once again, Don Pedro’s intention of trying to help do what is best for his friend, is