Annie Dillard Response

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Challman 1 Ben Challman Daniel Hurley English 102 October 21, 2012 Insights Into the Meaning of “To Fashion a Text” Annie Dilliard’s, “To Fashion a Text,” is a brief glimpse into the writing and creative process used while she wrote “An American Childhood.” In it she details some of the creative processes, self realizations, and craft involved in writing her memoir. Beginning simply with that, the “Beginning,” she starts by saying, “It isn’t an autobiography, and it isn’t ‘memoirs.’ I wouldn’t dream of writing my memoirs; I’m only forty years old.” (Dillard 143) With this she begins to tell us how the book took shape initially. How she supplemented the tales of her childhood with the necessary historical backgrounds that shaped the world around her. All the while detailing truths and revelations she encountered along the way. Though Annie Dilliard’s descriptions of craft and the writing process seem scattered and loosely connected at first, overall her piece is artfully composed in order to exemplify how the writing of a memoir takes its form. “The best memoirs, I think, forge their own forms.” (Dillard 143) This single statement is a crucial hint as to what Dillard is trying to show us with this piece. She explains with this simple statement that a memoir takes its shape as you hurl it onto the pages. Your mind spews Challman 2 its memories of an event in an unorganized and jumbled way, yet in the end you are still able to decipher the overall meaning and truth of this specific occurrence. So too should be the writing and underlying meaning of a memoir. Dillard even goes further to specify how your mind works. “The interior life is in constant vertical motion; consciousness runs up and down the scales every hour like a slide trombone.” (Dillard 144) This is a quote showing us the consciousness of a child as it becomes self aware.
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