Slightly overgrown, weeds peak through the cracks and make an obvious division of the concrete into six concrete panels. The grass of the Grange is slightly dry. There are a few dirt patches and rocky places in the modest landscape. Two large, forest green bushes overtake the two main windows, darkening the house and hiding some of the details in a quick glance. A large tree provides shade over the house and is about as tall as the peak of the roof.
Jinny Chun 996029337 VPHB46H3 Professor Carney March 19th, 2009 Visual Analysis Interior of a Forest by Paul Cezanne Paul Cézanne (French, 1839 - 1906) Interior of a forest c 1885 oil on canvas 46.4 x 56.1 cm Art Gallery of Ontario, Given in loving memory of Saidye Rosner Bronfman by her family, 1996 © 2009 Art Gallery of Ontario Interior of a Forest, a landscape painting 46.4 cm tall by 56.1 cm wide, now in the Art Gallery of Ontario, Canada, was created by Paul Cezanne (French, 1839-1906). The landscape paintings were an expression in both of Cezanne’s long-term interests and of his particular concerns and circumstances at the turn of the century. Cezanne’s specific focus on the motif of forest is most possibly seen as his personal flight from the discomfort of Paris. Being far away from the dominant artistic current of Paris, Cezanne built up his style into the landscape in Provence and devoted several paintings to the windswept greenery of tall pines that characterized the Provencal landscape. These curving and graceful pine trees are the very souls to the painting.
Much more detail of the farm can be seen through the visual adaptation of Animal Farm. The movie allows the viewer to witness where the farm is situated, and where everything within the farm is placed, such as the manor house, the windmill, and the various barns of the animals. The farm is still situated in England, and it can be assumed that it takes place around the 20th century, around 30 to
Excerpt from the opening of In Cold Blood The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call "out there." Some seventy miles east of the Colorado border, the countryside, with its hard blue skies and desert-clear air, has an atmosphere that is rather more Far Western than Middle West. The local accent is barbed with a prairie twang, a ranch-hand nasalness, and the men, many of them, wear narrow frontier trousers, Stetsons, and high-heeled boots with pointed toes. The land is flat, and the views are awesomely extensive; horses, herds of cattle, a white cluster of grain elevators rising as gracefully as Greek temples are visible long before a traveler reaches them. Holcomb, too, can be seen from great distances.
Everything in her apartment mirrored her life. Everything was clean and precise, even the books in her library were afraid of lying out of place. Occasionally, the order of her world was disturbed as a piece of breeze-blown fluff, scuttling across the polished floor boards, searching for sanctuary. She had achieved so much in her short life, except lasting love. Her relationships were fleeting, except for
On every side it sat like a lid on the mountains and made of the great valley a closed pot.’’ To me Elissa’s life is this closed pot and she works in even more limited confines. The house she shares with Henry is enclosed ''with red geraniums close-banked around it as high as the windows,’’ and the garden where she grows her flowers is surrounded by a wire fence. From the inside of her deepest enclosure Elissa watched life come and go. This comes in many forms as she still tends to her garden from inside the fence, the cattle buyers, Henry and Scotty on their horses, and the tinker in his wagon drawn by a horse and a donkey. Elisa shows no ill feelings toward staying in her element while the farm life buzzes around her.
Lawn mowers effect on people’s lives…………..page 11 8. Materials used in manufacturing……………………page 12 9. References………………………………………………………page 13 Introducing A lawn mower is a machine that uses a revolving blade or blades to cut a lawn at an even length. Lawn mowers employing a blade that rotates about a vertical axis are known as rotary mowers, while those employing a blade assembly that rotates about a horizontal axis are known as cylinder or reel mowers. The lawnmower is defined as a hand-operated or power-operated machine with rotary blades for cutting grass on lawns.
There is a large hedge or bush with green leaves that cover the entire canvas of the painting. The floor is a dirt road which stretches across the entire painting. The dirt shows shadows as if the day were slowly turning to night. The dirt shows some signs of growing grass or grass that has died from all the traffic that passes through this stretch of road. One sees the stages of the growth and death of the grass by the use of the darker green for the still healthy grass, the light yellow grass of the dying grass, Sandoval 2 and the light brown for the dirt road where all the grass has died completely.
In summation it was easy to relate to the main character in the short story. 2. As far as fears and desires, Kate’s fear was being self-conscious about her work clothes at a casual café. Her desire to move forward towards bigger and better things in life was evident by her entry level position as an administrative assistant. The Grandma in the story had an obvious fear of being alone, which is why she was overly hospitable with her guests ensuring that they were thoroughly satisfied and happy to be her company.
Cemeteries and Gravestones Greg Schmitt Art History In the young republic of the United States, the "rural" cemetery movement was inspired by romantic perceptions of nature, art, national identity, and the melancholy theme of death ("National register publications," 2010). Cemeteries became a huge part of our culture with expressing people religious point of view. The expression came out through gravestone carvings. The mortuary art of colonial Anglo-America is unique in providing us with a tightly controlled body of material culture, and to relate this change to changes in the society that produced it (Deetz, 2010). Cemeteries contained family history, sculptures, artistic composition and its craftsmanship, and attitudes towards death.