tExplore how Love and Hate are used in Romeo and Juliet Romeo and Juliet is debatably the world’s most play. It is the love story between two people who are supposed to hate each other, already the title has been linked to the theme, but this is not all that can link the story to a Love and Hate theme and so we delve deeper… The first implication of Love and hate is in the prologue however in Line 166 of Act 1, scene 1 Romeo says “Here’s much to do with hate, but more with love”. He is talking about loving hate and is referring to his love of Juliet but his hate towards Capulets. Another interesting point about love and hate is that the two themes come in pairs and when love is mentioned so his hate (and vice versa). A good example of this is when Romeo is alone with Juliet in the orchard and they talk of their passionate and soppy love for one another, Romeo throughout this scene is reminded of how much danger he is and how he could be killed if he was caught.
489 lines (161-163). That was a line in the book Romeo and Juliet, written by William Shakespeare. That quote was said by Romeo in the very beginning of the book because he is so love sick over this girl named Rosaline. Throughout the book Romeo and Juliet, both Romeo and Juliet’s perspective on love changes along with their personalities. As I said before in the beginning of the book Romeo and Juliet, Romeo is gloomy and feeling hopeless about love because Rosaline (the women he “loves”) is not going to get married.
During a tremendous argument between Juliet and her mother, Lady Capulet claims that Juliet must marry Paris, an innocent, charming man who wants to marry her, but she refuses and shouts, “ He shall not make me there a joyful bride…I will not marry yet; and when I do, I swear it shall be Romeo” (3.5.132-137). Even though Juliet was already married to Romeo, she could have accepted her fate because of the hatred between the Montague and Capulet families. Yelling at her parents causes them to be mad at her, and lying makes the situation worse. Eventually, the choices the two “star-crossed lovers” made led to their
Similarly in The Duchess of Malfi, when the Duchess’ attempt to deceive her brothers and conceal her marriage leads to her death. However self-deception is also a recurrent theme in both of the plays, in Othello, it can be argued that Othello’s self- deception proves just as destructive as Iago’s, as by deceiving himself of his true nature and labelling himself as “one not easily jealous,” he continually supresses his feelings of inner turmoil until he breaks under the influence of Iago. F R Leavis agreed with this stating, “The mind that undoes [Othello] is not Iago’s but his own.” The role of deception would be nowhere near as essential to the play without the influence of Iago; described by AC Bradley as the “artist of evil” his ruthless manipulation of the other characters in the play ensures not only the destruction of Othello, but his own. Self- deception plays a crucial role within Othello and The Duchess of Malfi; it allows the audience to see further into the characters personality and gain a deeper understanding of them as a character. Othello himself is the most palpable example of self- deception within the plays as from when the audience is first introduced to him in Act One Scene Two, he believes
She has a quick eye to see what is weak or ridiculous in man or woman. “Has Signior Mountanto returned from the wars or no?” This is how we are introduced to this fascinating woman who at first seems spiteful and full of scorn. It is perhaps not a coincidence that her very first dialogue in the play betrays her passion Benedick, although it is masked by sarcasm. Benedick and Beatrice’s lengthened relationship is made known to us over the course of the play. They have always had “a skirmish of wits” between them.
This is shown through the conversation between Hermia and Lysander where Shakespeare uses repetition to compare different challenging situations where two people have fallen in love. To support this Shakespeare has used the characters of Lysander and Hermia to express these situations through dialogue some of which include ‘O cross too high to be enthralle’d too low’ (act 1 scene 1) and ‘Or else misgraffed on respect of years’ (act 1 scene 1) Through these quotes we are shown that love is something that is uncontrollable and it does not always make sense. Love can cause us to both love and cry. Love is not always easy it can cause sorrow and pain. An example that love can make us laugh is when Titania falls in love with Bottom who has the head of a donkey.
This betrayal hurt Juliet in many ways, and it hurt her parents a little too, as this would soon lead to her death. The first way that this betrayal hurt Juliet is that she was forced to marry someone she did not love, and completely forget about Romeo, her husband. Lord Capulet does not care about Juliet's feelings when he hears that Juliet does not want to get married. All he wants is money and a good connection to the Prince. He did not always think like this though.
Shakespeares portrayal of female characters in the play Hamlet mirrors the way in which women were perceived in his day. The actions of the characters Ophelia and Queen Gertrude are often heavily swayed by the words of the male characters. In the play, the male characters think of the women as archetypes, who do not make choices for themselves, and thus the female characters behave as though they are helplessly caught up in the plot and unable to change their situation’s. Hamlets lover, Ophelia, is by far the most piteous character in the play. Although it was Hamlet who wooed her, and with whom she was intimate it is Hamlet himself who later chastises her for her impious actions.
However, later on, Mr. Darcy and Elizabeth eventually fall in love with each other. According to this story, prejudice can blind the eyes of a person because people having prejudice toward others don't see the truth about a person. Prejudice can be caused by words that make people misunderstand because wrong words make people think the wrong thing. When Mr. Bingley tells Mr. Darcy to dance with Elizabeth during the dinner party, Mr. Darcy says, "She is tolerable; but not handsome enough to tempt me and I am in no humor at present to give consequence to young ladies who are slighted by other men" (Austen 7). Mr. Darcy is telling Mr. Bingley that Elizabeth is not pretty so he has no interest in her.
Mistaken Identity William shakespear use of Mistaken identity is a imporant instrument to the play twelfth night because it provides confusion, mystery and humor to the play. In Shakespeare’s time mistaken identity played a role in his plays when female roles were played by males, and the idea of a male having a female role created a greater comic element. In the play twelfth night many characters have disguises and have their identities mistaken. Many characters in twelfth night have their identity mistaken , begginging with viola who dressed up as a male and assumed the name Cesario in order to succeed and work for the duke. Olivia also had her identity mistaken by her brother's best friend antonio.