Analysis Rei Kawakubo’s Deconstructed Design

2010 Words9 Pages
Analysis of Rei Kawakubo’s Deconstructed Design Introduction The associations between the conceptualizations of fashion and architecture have developed into becoming more of an enigma in recent years. Innovations and further developments in technology have set in motion the cutting edge characteristic in both concepts of fashion and architecture. At the same time, structures have developed more fluidity while clothes involved more structure and design. Architects are making use of methods more typically utilized in couture or fashion design like processes of printing, making folds, pleats, drapes, and weaves. On the other hand fashion icons like Rei Kawakubo looks on architecture for ways and means to construct clothes, which exhibit new and challenging ideas with regards to dimensions and construction. In more than a few cases, they are also influenced by the scholarly principles and impressions intrinsic in the field of architecture (Gil 1998). In the course of the last part of the century, the amalgamation of fashion and architecture has brought new sense and potentials in these areas of discipline. Rei Kawakubo and her protégées along with other brilliant and forward-looking fashion designers like Yohji Yamamoto, Issey Miyake, among others have shown the world a portion of the outcomes when threads start to hook up (Evans 2003). This paper is an analysis of the designs by designer Rei Kawakubo highlighting Japanese postmodernism characteristics. Significance of deconstruction Deconstruction theory has been used in a lot of areas ahead of linguistics and various kinds of literary works to critical theory. In visual arts, deconstruction is described as a way to explain a particular work. it is an open and multifaceted system of the most wide-ranging elements with regards to form and content. The functions and incongruities of the said elements are

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