Yet, like nearly every other child that experiences this, she does not entirely understand what independence entails. Connie’s actions demonstrate this observation. As the exposition unfolds, it becomes obvious that she feels more comfortable with her friends than she does at home. She feels happiest when she can enjoy the freedoms which adults are permitted, and her parents stand in the way of those liberties. All these feelings become visible to readers when Connie’s attitude changes upon being freed at the mall with her friends.
She describes Stella-Rondo be inconsistent and unstable based on her being spoiled when they were children. Sister uses this immediately to make a point of her sister’s unappreciation for everything she has ever had. But she never describes how she behaved as a child which can be suggested that she may think the reader can assumed she was the better of the two. Then, she goes to say that out of nowhere Stella-Rondo leaves her husband and returns home with a two-year-old child whom she claims is adopted. Sister sees right through her sister’s façade considering the timing of everything.
Josephine Alibrandi argues with her mother about her visiting her grandmother after school, her school behaviour, her mother’s personal life, her mother’s relationship with men other than her father and her own relationship with Jacob Coote. These are all the issues that teenagers express via arguments to their parents. Another association with adolescence is peer pressure. Throughout the novel, Josephine is pressured by her friends to do something which she believes isn’t right. An example of this is the walk-a-thon where Josephine is put in charge of taking care of the back of the group but she abandons her duty as her friends convince her into skipping school to meet a celebrity.
She prefers to spend more time with herself than with her family because of this she has a weak relationship with her parents. The story discusses how she has two sides: one for home and one for not being home. Her abduction was solely due to her fault for her appearance that she presented in public, to the relationship that she had with her family and lastly her naiveness. The antagonist Arnold Friend somehow knew about Connie. He saw a great opportunity the moment he set his eyes on her.
Connie’s Escape Connie is fifteen and is always worried about how her appearance looks. Her mother don't like the fact she spends more time looking her self herself in the mirror then being neat and responsible like June, her older sister. Connie seems to ignores her mother’s criticisms most of the time. In order to escape her reality she opens the screen door to get away for from her family and be in some kind of fantasy. I think there were other reasons also, but the story points to this one in many places.
In contrast to Cindy’s new found self esteem, her mother seemed to uphold a strong lack of confidence in her daughter and in herself as well. By the same token, in the second article “The Thrill of Victory … The Agony of Parents”, the author presents the opposition through her mother. Jennifer Schwind’s mother appeared as an embarrassment to her publicly and emotionally. “In a voice so screeching that it rivaled fingernails on a blackboard, she told him that he was a disgraceful coach and that he should be ashamed of himself” (Pawlak 3). While in her mother’s eyes, she only supported her daughter and craved the absolute best for her child.
She lives in her mind, barley speaks to anyone. She spends most of her time analyzing all the things around her life. She wants to tell someone how she feels but is scared that she might get rejected or no one will believe her. “I can’t believe you, you’re just jealous.”(184) when she finally tells one of her former friends from the party who is now dating Andy Beast, what happened and the reason for her calling the cops she lashes out and does exactly what she was afraid of. In reading and studying “Speak” By author Laurie Halse Anderson , my character analysis has taught me how Melinda dealt with her problem and what she went through to get her life back…it also taught me to choose my friends carefully and that keeping your anger and pain bottled up can hurt you more than you know.
Discuss the psychological imagery of "Where are you Going, Where have You Been?" as a dream vision Characters- Connie- 15 years old, protagonist, music was like a religion for her,she seems to be rebelling by being permiscuous, constantly argues with her mother because she always compares her to her sister June, Connie thinks her mother is Jelous of her beauty, head full of daydreams and music that feed her ideas of love, always daydreams, she wanted to seem older but still was childlike, only allowed out wih June Connie's Mother- always frustrates Coonie, Connie and her always argues, connie calls her name at the end of the story June- older sister, complete opposite of Connie, 24 over weight, still at home Arnold Friend- dangerous figure who comes to Connie’s house and threatens her, pale, almost
Teenage years are a complex time of physical and emotional metamorphosis during which the youth feels estranged from the self the child had known. It is a time of seeking one’s niche in life and to build everlasting relationships that eventually support an individual during both teen and adult years. These relationships greatly influence teenagers’ mental health that is their happiness, self-esteem, and ability to work. But as teenagers instigate themselves in bonding with others they confront numerous social and family issues, some of which strengthen their connection with others and some debilitate their existing relationships. Mary Lawson’s novel, Crow Lake is a literary demonstration of these relationship issues that teenagers face in their
Kat is disappointed with teenage popularity and claims “I’m not hostile, just annoyed” This shows her choice to ignore the upcoming dramas of teenage normalcy and embrace her own individuality. Her attitude shows she has deep anger issues likely caused by her Mother’s abandonment and the fact that her younger sister is now the centre of attention. “I don’t only want to be an object to be adored” With the use of this quote it shows her anger towards today’s society and the only way to belong to something is to be ‘popular’ or to just be an object for everyone else’s entertainment. Kat is outspoken in class and expresses strong feminist views from Betty Friedan, Simone de Beauvoir, and Sylvia Plath, which help support her theory and aggression towards teenage ‘normalcy.’ But by the end of the movie Kat starts to fall in love with Patrick who is very similar to her and is happy not fitting in with the expectations of teenage popularity, therefore she finds her sense belonging and learns that pushing people away isn’t always the answer. With the interaction of the people around her they had shaped her into the girl she was and the women she