Analysis Of The House Of Bernarda Alba

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The significance of wall in The House of Bernarda Alba The imagery of “wall” in “The House of Bernarda Alba” by Garcia Lorca has a significant connection with Bernarda Alba. The walls made up the House of Bernarda Alba, which do not only show the over protection of Bernarda towards her daughters but also shows Bernarda’s power over the entire house. Although her daughters changed as time pass shows as the colors of the walls change throughout the play, due to the continuous pressure given by Bernarda. The “very white inner room” in the stage direction of Act I points out how Bernarda want the family to be protect from the world outside that is considered as an evil environment in Bernarda’s point of view as she knows about the gossips about her around the village told by Poncia. From the first scene of the appearance of Bernarda in the play in Act I, the word “silence” shows her power over others in the house, which is also used at the end of the play to show that no matter what happens, she still has the power that controls the entire house. The sentence “Nothing, not one button” on page 212 also shows that Bernarda doesn’t want to have any connection with the world because she doesn’t “share” with other people. Bernarda’s statement towards Angustias, “women should look at no man but the priest…whoever turns her head is on the prowl for a man” (p.201), shows her over protection of her daughters, as she told her daughters that they are going to stay in the house for eight years of mourning on page 205 by seal up the windows and doors to prevent any connection with the world outside to make sure that her daughters live in the environment made up of “white walls” which will keep her daughters having the same thoughts and feelings as herself, this achieves the idea of powerful controlling over each member of the family. By locking her mother up
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