When the destruction of the world around her is described, this could symbolism the destruction of her. Duffy uses no rhyme in the poem as it flows without it due to the repeated syntactical structure which has been used. In the first stanza, there is a sense of intensity growing, from ‘a suspicion’ into ‘a doubt’ into ‘a jealousy’. This shows that the natural feelings that are felt are corrosive and that there is a destructive poison on her personality, which also shows in the line ‘grew in my mind’. The power of these emotions drive her to do what she does.
Both Carol Ann Duffy and Dorothy Molloy convey a theme of loneliness through their characters of their poems. Carol who wrote 'Medusa' conveyed a message of how life has mistreated her and she is lonely due to in medusa's case having snake hair and turning people to stone and therefore she has enclosed her self within a cave, she conveys this message through a dramatic monologue. Dorothy who wrote 'Les Grands Seigneurs' had a message of how he distance her self from men and due to that she is is lonely but in the end gets married but has lost all authority as she is a female and in the past men had greater authority no matter what the status was of the female, she conveyed this through four stanzas and the the fourth stanza is the turning point where she has become married also she has written the poem in the past tense showing how she misses her old self and is lonely now even though she is married. I would also compare these poems to the world war one poet Siegfried Sassoon 'the soldier' as it also conveys a theme of loneliness. I will show how these two poets convey the theme of loneliness through their poems.
When Lancelot is going to see the Lady of Shallot, she knows she is stepping into dangerous waters, but still goes along with it. Her image of herself turns so bad, that the basically kills herself and unhappy and lonely woman. After she is dead, Lancelot sees her and only says that “She has a lovely face,” demonstrating that he only cared about her looks and not really her inner beauty. The Lady of Shallot is a round character because she changes throughout the short story. At the beginning, she believes in herself and who she is as a person, but she is lonely.
Especially when she reminisces in the final stanza about the time she was young and beautiful, illustrating her complete lack of confidence. Nevertheless, she is still presented as a foul character who threatens the reader, with the line ‘Be terrified’. The poem also ends with the line ‘Look at me now’ which has a double entendre (double meaning). It could be read as a cry of despair or, as a threat – if you did look at Medusa you would die! This leaves the reader feeling conflicting emotions for the character, probably similar to how Medusa herself feels in the poem.
Sexton saw writing as a way to escape. She was a confessional poet. “‘Confessional’ is sometimes used to describe the representation of extreme, personal, possibly painful experiences, for therapeutic or cathartic effect” (Matterson 49). Sexton was often shunned because of the graphic material in her poems like adultery, suicide, and masturbation. “Sexton once wrote that poetry ‘should be a shock to the senses.
“Fie, my lord,fie!- a soldier, and afeard?”(V.i.33) “Here’s the smell of the blood still! All the perfumes of Arabia will not sweeten this little hand. O ! Oh- oh (V.i.44-46) (V.i.65-67, 69-72) “Do breed unnatural troubles: infected minds to their deaf pillows will discharge their secrets, more needs she the devine than the physician.”(V.i.65-67) Throughout the play and forwarding to her suicide plan, she slowly weakens. Yet, in the beginning of the play, she is shown as a superwife/superwoman portraying that she is
Hazel Grace Lancaster, she fascinates me how she looks at herself. In the story she calls herself a grenade, because her lungs suck at being lungs, which she is going to explode and hurt a number of lives so she wants that number of people to be small. Hazel also loves a fictional book “An Imperial Affliction”, in the point of view of a girl name Anna but the book ends in mid-sentence. She has tried to contact the author Peter Van Houten, because she is curious of what happen to the rest of the characters in the story. In this movie there are a lot of quotes which I love, but when Augustus said with an unlit cigarette hanging from his lips, “It’s a metaphor, see: You put the killing thing right between your teeth, but you don’t give it the power to do its killing.” Augustus shows that when his health is surely not the best, he associates the unlit cigarette with taking control over his health, which often feels out of his control.
This poem expresses the pain and sorrow of a battle that someone is fighting against themselves. Someone who is tore between her aging self and her youth. The woman knows that she is no longer a child but she’s having a hard time letting that part of her go because she feels that her youth is the only good thing about her. “Then she turns to those liars, the candles or the moon,” indicates that the woman turns to those who only throw lies at her, the lies that she wants to hear. Candles and the moon don’t swallow the image of what stands before them yet they reflect off a brightness, a lying goodness.
In Jacobean times women were seen as inferior and even in the Victoria era, thus she required external forces to crush her conscience to allow her to fulfil her ambition. Yet she is afraid her feminine qualities will prevent her from achieving the murder of King Duncan. Which would gradually lead to her mental breakdown. Regicide was considered a mortal sin in Jacobean times, one God couldn't forgive. Whereas Browning’s protagonist in The Laboratory sustains her feminine qualities this is reflected in the line “The colours too grim” in which she is referring to her dislike of the colour of poison and that it needs to be 'brightened' up in order to convince her victim to drink it.
This sort of pain is compared to death when he refers to the woman “[having] put on black” .This typifies the pain that men can feel and shows a somewhat excellent sensitive side that not only Shakespeare but other patriarchally born men of his time may have shared. Following these somewhat harsh words seen in the opening lines it can be noted this isn’t a normal petrarchan sonnet, instead it is labelled an anti-petrarchan sonnet due to its subtle attack on a unattainable idealized female. Shakespeare uses the senses as well as emotions cleverly in the poem. Although he knows this beautiful woman has no similar feelings towards him the man still can’t help but proclaim her beauty. In line 4 the poet shows just how