Shakespeare echoes key thematic topics by the production of a series of lies that form intro deception at crucial moments. When Hero and Ursula exit and leave Beatrice alone, Beatrice declares, “…Benedick, love on; I will requite thee, taming my wild heart to thy loving hand” (III. i. 117-118). Beatrice expresses her acceptance of Benedick’s love but does not realize the love inside Beatrice exists artificially.
Othello says to her “It gives me wonder great as my content to see you here before me. O my soul’s joy!” (2.1.199-200). These beautiful and loving words are soon changed to hostility and rage with the thought of Desdemona’s betrayal. Both Desdemona and Hero are accused of being unfaithful through presented “ocular proof”, they are both disgraced by the leading male role, and they are young and inexperienced in the ways of love and both women are extremely forgiving after they have been mistreated by their suitors. Much Ado about Nothing was written by William Shakespeare as a comedy, but it could have very well been turned into a tragedy comparable to Othello.
Lastly, Juliet’s view of love is logical; she does not follow love blindly. Mercutio’s view of love is humorous and cynical. He believes that love is a burden and love is not worth the burden. Mercutio talks to Romeo and says, “To sink in it, should you burthen love—Too great
This is used in the previous scene when Romeo and Juliet marry in secret by Friar Lawrence. The language used in this scene is also very important and is linked to the character development of Romeo and Mercutio. Mercutio went from being a light-hearted comical person, 'one word with one of us"... Make it a word and a blow'. His attitude is the complete opposite once he is injured by Tybalt 'a plague a both houses'. Romeo went from being a very romantic soft-hearted person and not reacting from Tybalt's threats and pleading not to fight 'good Capulet, which name I tender as dearly as my own, be satisfied'.
How has Romeo change throughout the play? Beginnning * Romeo is in infatuation with Rosaline, but how he describes her is like he is deeply and truly in love with her. When the devout religion of mine eye Maintains such falsehood, then turn tears to fires; And these, who often drown’d could never die, Transparent heretics, be burnt for liars! One fairer than my love! The all-seeing sun Ne’er saw her match since first the world become.
Friar Lawrence: Unnoticed Importance In the play Romeo and Juliet by William Shakespeare, many secondary characters play an essential role in the play. Friar Lawrence is one of the most important secondary characters in the play. He marries Romeo and Juliet, helps Romeo and Juliet grow in their love for one another, and eventually helps end the feud between the Capulets and the Montagues. He helps the characters in the play grow in a way they would not have on their own. Friar Lawrence affects the action of Romeo and Juliet by marrying Romeo and Juliet, helping Romeo escape Verona safely, and helping them reunite by giving Juliet a sleeping potion to fake her death.
The Friar responds with, “Young men’s love then lies/ Not truly in their hearts but, in their eyes jesu maria, what the deal of brine/ Hath washes thy sallow cheeks for Rosaline!”(2.3.68-90). In the first act, Romeo thought himself to be in love with Rosaline. Romeo had been distraught over the fact that his beloved Rosaline was going to become a nun. Romeo would never be able to love Rosoline, or be with her. Friar Lawrence makes fun of Romeo saying that young men only love what they see.
Claudio and Hero fall in love, break apart, and then fall in love again, while at the same time, Beatrice and Benedick are being tricked into loving each other. Shakespeare wrote these plays within the decade of 1590 in Elizabethan England; both these plays are set in Renaissance Italy and are both based on similar themes of love. Shakespeare’s purpose in writing these dramas may have been to highlight the power of love, love at first sight being a theme that may warn the audience to take caution with love and its capabilities. The idea of love at first sight is evident from the beginning of the play Romeo and Juliet. In the prologue Shakespeare makes reference to Romeo and Juliet as "A pair of star-cross’d lovers" in line 6.
He is saying that is might not be wise for loving him, but he swears it won’t be stupid for he is going to be “horribly” in love with her. The word choice of “horribly” emphasizes a sense of awkwardness because he doesn’t know the first thing when it comes to love. It also gives a bit of that comical side to Benedick’s character, even in the name of love, he still can’t forget about the competition between him and Beatrice.
The seriousness of their love results from the lovers’ disrepudance (?) of artificial language of ‘love’ and superficial code they had tired by at the beginning of the play. This is seen through the development of language form beginning with rhyme (Levin- “Comedy set the pattern of courtship embodied in dance (rhyme)) heavily used in the first act to its replacement of Blank verse which representative of a for more logical and realistic tone. This also reflects a common Shakespearean comment on Appearance versus Reality which is often a deeper theme discussed in tragedy. Tragedy is said to be further represented in Shakespeare’s use of opposites or antithesis.