An Analysis On The Matrix Trilogy

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Giao Tran Mr. Frey English 4 AP/Period 4 17 May 2011 The Matrix Films on the Nature of Humanity Neo crouches down, getting ready to launch himself into the black crying sky. His thick, graceful cloak dances violently behind him as Neo propels himself at the speed of a jet plane through the rain. Then suddenly, time slows down. With one arm outstretched in front of him and one arm bent at his side, his human flesh pounds each water droplet after water droplet, creating a force so strong that his fist leaves a path of waterless air wherever it travels. (The Matrix Revolutions) At the moment of its release, audiences were stunned by the Wachowski brothers’ visually mesmerizing presentation of computer graphics of the Matrix trilogy. Scenes throughout the movies, such as the one depicted above, stunned critics and viewers alike for their intricate design and advanced special effects. Yet behind the films’ complex set design and creative actions sequences, the Wachowski brothers had other things in mind apart from the artistry of their films. Through the movies, the Wachowski brothers presented questions that have been asked for centuries by mankind’s deepest thinkers: How does humanity define its reality? What is the driving force of all the interactions between human beings? By raising philosophical questions that are basic in structure yet complex in nature, the Matrix trilogy dismisses the idea of delivering insight on a silver platter to its viewers and forces audiences to ponder these questions for themselves (Glyph, Operator, and Special Ops). With these questions comes the realization of one of the most basic and most examined ideas of the forces that govern the nature of humanity’s reality: that people create their reality based on the perception of choice. Furthermore, the Wachowski brothers not only surround their movies with a theme of reality and
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