about hybridity Essay

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In terms of colonizer/colonized studies, the term hybridity seems to be much evolved in the works of Homi Bhabha. As he suggests the interindependent nature of the colonized/colonizer subjectivities, Bhabha extends this idea to claim that all cultural forms and systems are build and shaped in another space that he calls "the third space of enunciation". The space where the cultural identity is situated ambivalent and contradictory as it is. The ambivalent nature of this third space makes the claim of cultural purity impossible. There is no autonomous culture by itself. He stresses that "the recognition of this ambivalent space of cultural identity may help us to overcome the exoticism of cultural diversity in favor of the recognition of an empowering hybridity within which cultural difference may operate." Hence, the meaning of culture resides in that, if I may use his term, "in between space". The hybridized nature of the postcolonial culture was viewed then as a feature of strength rather than of weakness. "The transaction of the postcolonial world is not a one way process in which oppression obliterates the oppressed or the colonizer silences the colonized in absolute terms. In terms of practice it rather stresses the mutuality of the process." Writings show that the culture of the oppressed, survive and became an essential integrated part of the hybrid culture created after the inevitable clash of cultures in the vicinity of an imperial space. We are in a stage where hybridity with the power it developed, became characteristic of the postcolonial, and thus creating a way to escape from the monolithic binary models provided in the past by Franz Fanon and Edward Said for that matter. Hybridity is actually a result in postcolonial societies of direct cultural oppression, in cases for instance when the colonial power militarily invades to gain control over

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