A Trado-Political Reading of Ademola Dasylva's Songs of Odamolugbe

2578 Words11 Pages
A Trado-Political Reading of Ademola Dasylva’s Songs of Odámolúgbe Oyesola Stephen Afolabi Abstract The political atmosphere of Nigeria can be described as sadistic and masochistic. Be it that it parades the various leitmotifs recurring in her literatures. The historical precedence of this Literature hence is full of thematic preoccupations that explore such unpleasant experiences of the people. Such trend has its genesis with the Soyinka generation; the Nigerian Literary Cannon that first served as the voice of the people against the government ruled by the natives. The country’s Literature, has hitherto been burdened with these themes. This essay thus looks at poetry as a genre of literature to expose this inertia, painting the expression of various themes such as corruption, bad leadership, money laundering, murder, societal decadence and resistance. The West African poetry has been a major way which the desires and pains of the people are expressed. The independence era was the first to be characterized with the socio-political sensitivity and political hegemony. Douglas Killam and Ruth Rowe (2000) explain that: The Poets of the independence era were politically sensitive and more alert to the concept of the ideological basis of literature and the idea of imaginative writing as a viable tool for self-definition and determination and for addressing Western Cultural and political hegemony. [219] The Political imperialism of Europe on the West African countries is also another recurring leitmotif in their poetry. This unfair hegemony raises a lot of argument in the contemporary West African Poetry. This dissertation will then attempt to analysing Ademola Dasylva’s Songs of Odamolugbe (2006) via the socio-political thematic preoccupation that runs across the Nigerian Literature. The anthology is divided into five parts representing what Toyin Falola describes in
Open Document