A Soldier's Story: Irony at Its Finest

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A Soldier’s Story: Irony At Its Finest In the motion picture A Soldier’s Story by Gavin Hood, there are significant cases of irony that are displayed through three of the characters: Sergeant Waters, Peterson, and C.J. Memphis. Waters believes that C.J. is an embarrassment to the African-American race and too loyal to white society while also being a simpleton. Ironically, Waters himself is a sycophant when it comes to his superior white officers. The qualities that Waters doesn’t care for in C.J. are also embodied in himself. Also, within the movie’s narrative, the character Wilkie mentions that before Waters death he had plans to promote Peterson to a higher rank because Peterson is a great role model for African-Americans. This is also ironic considering that Peterson is the one who ultimately kills Waters. Waters makes himself an exterminator of ignorant African-Americans and ends up being exterminated himself by a man he sees fit to represent the race. Sergeant Waters is known to be unfair and judgmental toward his own race. The common perception is that he holds African-American soldiers to a higher expectation and has a lower tolerance for potential mistakes. His thoughts on C.J. Memphis, however, are much different. He has a burning hatred for C.J. because he felt him to be an embarrassment to the African-American race. Waters ends up framing C.J., and he is sent to jail where he eventually goes crazy and kills himself. The irony here is that Waters hates C.J. for characteristics that Waters somewhat shows in himself but in different ways; for Nelson2 example, Waters says that C.J. reminds him of a man who danced around and acted like a monkey, a man whose throat he slit. However, ironically, Waters dances around like a monkey for his white superior officers but in a different way. In many instances he is seen ingratiating himself to a white
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