She married the weird princess in a weird kingdom. Although this was all very strange to the people they accepted strangeness, for they were from the empire “StrangeVille”. StrangeVille was a small secluded place that no one entered for it was terrifying, mysterious, and scary. Once upon a time lived a beautiful princess kidnapped and brought to a weird castle. She married the weird princess in a weird kingdom.
The story goes by and the setting does not change, that is why the woman goes crazier and starts crawling into the wallpaper trying to help get the woman out. It is not to late before she realizes that she is insane and the woman she tries to get out of the wallpaper is only herself. There is also some kind of irony in the story because her husband puts her into that room without activity or work to help her problem. But the irony is that instead of helping her, it just makes the woman more insane because she imagines more things. The setting impacted the character in the story because the woman was in that lonely room the whole time and the woman just felt more insane.
J.B Priestley uses the character of Sheila to show that other characters are aware that Mrs Birling tries to pretend that she is something that she is not. In addition to this, Priestley has carefully scripted the play so that Mrs Birling herself reveals her own contradictory nature of trying to pretend something that she is not. When initially questioned by the Inspector
Writers often choose their titles carefully to allow for different potential meanings. Write about some of the potential meanings of titles in three of Keats’ poems. Keats chose particular titles for his poems to allow the reader to interpret them with different meanings, thus emphasising the main themes of the poems. Firstly, Keats’ titles represent Negative Capability, and the opposition between romanticism and rationalism. ‘The Eve of St Agnes’ alludes to the legend of St Agnes’ Eve, where women saw visions of their future husband if they performed certain rituals before sleeping.
As Sarah enters the labyrinth, she does not realize how much of a psychological struggle this maze will be. Her first mental obstacle was introduced to her when a worm on the wall explained that nothing should be taken for granted. Suddenly, a new path through the labyrinth appeared before her eyes, and she started to see how things are not always what they seem. One of the main psychological themes to this movie is to look past your perception of reality. Sarah believes that a wall is in front of her because she sees and feels a wall, but when she believes in the possibility of the wall not existing, the door is opened.
After coming to full realization of who the woman who was creeping was, she states “I don’t like to look out of the windows even—there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wall-paper as I did?” (Gilman) The connection that was already made by the reader has been made by the narrator and she was the women who was always “stooping and creeping” around. Then she knows that there are many more women who are in the exact same situation. She asks herself if they had to struggle the same way she did? Were they trapped within their homes as if they were prisons?
“And She is all the time trying to climb through. But nobody could climb through that pattern- it strangles so; I think that is why it has so many heads” (432) The narrator does not understand but the woman in the wall is herself. The narrator is trapped in the room while the wallpaper traps the woman in the wallpaper. The woman in the wallpaper is portrayed as trying to escape through the pattern but can’t because the pattern restricts her. The wallpaper like John is a confine in which neither woman can escape from.
But her guilt did not give her the courage to report to Reverend Parris what was taking place, and so the meetings continued. It was until a girl, who had to know "what trade her sweetheart would be", saw a coffin suspended in the egg white of the bowl, that all hell broke loose. It was then that Elizabeth broke and began to fall into strange episodes or "fits" of convulsive seizures, blasphemous screaming, and trance-like states (Gribben,
She enters as one does who can no longer bear to be barred from the sight of her beloved, but she is also very frightened because her slave sense has warned her that, as always trouble in this house eventually lands on her back." (8). Most of the information about Tituba is historically true but Arthur Miller adds some ideas like "her slave sense has warned her that, as always trouble in this house eventually lands on her back." which has no real background but help build Miller's play. Arthur Miller creates a story from the plethora court information and next uses the information he has from every individual and adds some information about the individual that he has to use for the story to be accurate and plausible.
So how are a tale and the truth distinguished? In “How to Tell a True War Story,” Tim O’Brien gives a certain criteria to a true war story that allows the reader to determine whether the story is true or not, based on morality, exaggeration, difficulty, meaning, and more. “It doesn’t suggest proper human behavior,” states O’Brien. In “Sweetheart of the Song of Tra Bong,” Mary Anne displays strange behavior. From the story Rat Kiley is telling, she goes from a beautiful sweetheart, to an ugly land loving creature.