A Multicultural View on "To the Indian Who Died in Africa" by T.S.Elliot

3962 Words16 Pages
A Multicultural View on “To The Indians Who Died in Africa”, by T. S. Eliot By Luiz Carlos Moreira da Rocha 1 Exile is predicted on the existence of, love for, and a real bond with one’s native place; the universal truth of exile is not that one has lost that love or home, but that inherent in each is an unexpected, unwelcome loss. Edward W. Said, 1993, p.12. Abstract: It is known that T. S. Eliot is one of the greatest poets and critics of the Twentieth Century Literature and that his life and work are full of polemical issues. On the one hand, he is regarded as a poet whose verses bring tradition and the individual talent side by side. On the other hand, his cultural thought is crammed of ambiguity once he introduces himself as anglocatholic in religion, monarchist in politics and classicist in literature. However, his points of view head toward many other directions, including some multicultural paths. His legacy is so dynamic and complex that it allows us to stress that he anticipated some positions which would be vogue in the postmodern era. Based on these arguments, some of his poems can be reread under a multicultural approach, and this is the case of “To The Indians Who Died in Africa”, a poem which the content deals with the enterprises of the British empire in the colonized lands of India and Africa. Key-words: tradition/poetry/post-colonialism Resumo: Sabe-se que T. S. Eliot é um dos mais importantes poetas e críticos do século vinte e que sua vida e obra estão impregnadas de tópicos polêmicos. Por um lado, ele é reconhecido como um poeta, cuja obra apresenta tradição e talento individual lado a lado. Por outro lado, o seu pensamento no campo da cultura está eivado de ambiguidades, uma vez que ele se apresenta como anglo-católico em religião, monarquista em política e classicista em literatura. Entretanto, os seus pontos de vista
Open Document