Even though they have been together in the past, the fact that they are not together at the time of the story shows how their relationship must have failed and therefore love is seen as unobtainable. He seems to place Daisy so high on a pedestal that she is in a way already unreachable. He loves her so much, with so much passion, worked so hard to be up to her standards (bought the house, throws all these parties…). However, she has never turned up to any of his parties or shown any interest in a certain Gatsby showing that love is unobtainable. Jordan mentions to Nick that “he half expected her to wander into one of his parties but she never did, then he began asking people casually if they knew her”.
When Nick and Daisy are alone for the first time she states, “Well, I’ve had a very bad time…and I’m pretty cynical about everything” (21). Daisy speaks as if her life is completely miserable and she also doesn’t seem to believe that any of it is her fault. What a lie. From the very beginning of their [Tom and Daisy] marriage, Daisy knew Tom was unfaithful, “If he left the room for a minute she’d look around uneasily and say ‘Where’s Tom gone?’ and wear the most abstracted expression until she saw him coming in the door” (82). Before this line, Jordan remarks that she’s “never seen a girl so mad about her husband,” it’s more like Daisy was mad with worry that her husband was off with some other woman.
He got a baby daughter out of it. His daughter was a clean slate and didn’t know any of the father’s pitfalls at that point in time. It gave Troy somebody to talk to in his final days which for a man with so many opinions, it is the greatest closure they can have. These are the positive things that I saw from Troy; however, there are many more things that he destroyed because of his stubbornness. Troy destroys relationships over and over again throughout the play.
Goneril and Regan pledge their love for their father, while Cordelia refuses to speak and when probed finally states that she cannot “heave her heart into her mouth,” (Act I p.7 96-97) that she loves him exactly as much as a daughter should love her father, and that her sisters wouldn’t have husbands if they loved their father as much as they claim. An enraged Lear disowns Cordelia and splits her share of the kingdom between the remaining two sisters. This is a prime example of the beginning of destruction across familial, personal and social aspects. Lear pits his daughters against one another in a selfish endeavour to boost his own pride, but in doing this he also destroys a very crucial aspect within the monarchy by removing the one daughter who has not saught out to destroy him and the foundation he had built for his kingdom. In disowning Cordelia this breaks the natural order of things because in doing so he has severed the natural bond that a father and daughter share, as well he has personally destructed himself with this decision because he has given up on his favoured daughter.
Marriage Fantasy is an escape which almost everyone can exploit in times of desperation and hopelessness. However, it is not equal to the contentment that execution brings. Passage 1 is about a man that is “too young” and “too full of the sap of living” who is forced to live by the side of his wife, whom he detested, and who chooses the practical decision of staying with her than pursuing his happiness with the woman that he wishes to be with, Mattie. The author captures Ethan’s begrudging attitude towards his hopeless and detached marriage by the dejected tone, third person narrative, symbolism and the restrictive setting of the piece. The author commences with a description of Ethan’s “cold” and “dark” study.
The women in the novel are too shallow for our sympathy or admiration A character that can be described as being wholly shallow is Myrtle. We learn that she ‘lay down and cried’ after finding out her husband Wilson ‘borrowed somebody’s best suit to get married in.’ Myrtle is distraught after finding out her husband is not rich nor a ‘gentleman’, as he made little effort on their wedding day. In the broader scheme of things, this should not matter; however Myrtle seems fixated on this and concludes from this one situation that their marriage is doomed. The suit can be seen as being representative of Wilson – he will always be reliant on others to survive in his sorrowful world, as seen when Wilson is close to begging Tom not to sell the car elsewhere. Myrtle despises
Nora is the most admirable character in the whole play. Back in the day when it takes place, it was unthinkable that a woman could leave her husband to obtain freedom. However, Nora had the courage to take the step forward and abandon the man she no longer loved. She chose to support herself and educate herself to be a better person. The marriage between her and Torvald was not a true marriage; they never understood each other and never talked about serious matters.
The universal truth behind this story is that the innate differences between men and women coupled with lack of communication will cause a marriage to stagnate and become an uneasy compromise. Insensitive and inconsiderate of his wife's feelings, Michael openly admits his attraction to other women. Frances wants to know his true feelings and he gives them to her cold, "I got all this stuff accumulated in me because I've been thinking about it for ten years and now you've asked for it and here it is." (7) He does not acknowledge his wife's despair; he knows he is wrong and yet he feels righteous because so far it has only been a physical attraction. Michael blithely dismisses his wife's pleas for reassurance.
He thinks that the Senior House is a better choice for the both of them as his mother would be happier there. Despite in actuality, Meursault’s mother did enjoy a blissful before her death, the fact that Meursault shows no emotion towards both his mother and her demise is incongruent to the social trend. His lack of sensitivity is severely chastised by the society in which he lives. The other citizens cannot understand his insensitivity, and more importantly, will not bother. They are merely concerned with the inconsistency that Meursault’s actions pose to the social norm.
When Mrs. Mooney is observing Polly’s interactions with young men, she becomes frustrated that “none of [the men] meant business” and considers sending Polly back to her previous job (63). Mrs. Mooney is highly focused on her own aspirations, and therefore compromises her sense of empathy. Mrs. Mooney is a heavy influence on Polly’s actions. Mrs. Mooney acts as if she is unaware of Polly’s affair with Bob Doran; however, Mrs. Mooney and Polly share an unspoken understanding. Mrs. Mooney is the ringleader of Polly’s indecency, and manages Polly under implicit control.