Xu Bing Essay

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XU BING Xu Bing was born in 1955 in Chongqing (Sichuan Province) in China and was taught the art of calligraphy by his father. He studied at the Art Academy in Beijing, gaining his Masters of Arts degree in 1987. Throughout his teenage years, he has been working at a rice field, gaining his own finance. He then moved to United States in and received his citizenship in 1990. “Which he was later made an honorary fellow by the University of Wisconsin-Madison. Xu Bing lives and works in New York and in 1999 received the esteemed Genius Award of the Mac Arthur Foundation.” (1) As Xu Bing’s story continues, after some philosophical study, Xu Bing became disenchanted and rebelled against written culture itself, launching an attack on the symbol of the Chinese history, the Chinese written character. Chinese characters are always taught as transparent codes of signification, pictograms each depicting a ‘real object’. He became interested in words whose content is beyond a person’s cognition. In this manner, he became engaged with the meaning, or meaninglessness of words. To do this, Xu Bing deconstructed the characters, hand carving 2,000 noncharacters, calling the result Book from the Sky. The work is an installation in three parts; consisting of a four-volume edition of the counterfeit characters, wall texts and scrolls both of which imitate the traditional Chinese religious texts. The work reflects the ambivalence in Chinese culture’s attitude to text and performance. Xu Bing’s work allows the audience to catch a glimpse of the power of words, by entering that space between surface and depth, covering and exposure. Xu Bing, A Book from the Sky is a work started by destroying carved woodblock characters and reforming them into new volumes. The text is meaningless, frustrating for a reader and continues a tradition of the absurd that has its roots in Western literature.
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