Women In Hamlet

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Women in Hamlet “Hamlet sees Gertrude give way to Claudius, [and] Ophelia give way to Polonius…” (David Leverenz) Examine how Shakespeare treats the female characters/ explores the role of the woman in Hamlet and what the response of a modern audience might be to this aspect of the play. • “[Ophelia] is a play within a play, or a player trying to respond to several imperious directors at once. Everyone has used her: Polonius, to gain favour; Laertes, to belittle Hamlet; Claudius, to spy on Hamlet; Hamlet to express rage at Gertrude; and Hamlet again, to express his feigned madness with her as a decoy. She is valued only for the roles that further other people’s plots.” (David Leverenz) • “For most critics of Shakespeare, Ophelia has been an insignificant minor character in the play, touching in her weakness and madness but chiefly interesting, of course, in what she tells us about Hamlet.” (Elaine Showalter) • “We can imagine Hamlet’s story without Ophelia, but Ophelia literally has no story without Hamlet.” (Lee Edwards) • “Since the 1970s… we have had a feminist discourse which has offered a new perspective on Ophelia’s madness as protest and rebellion. For many feminist theorists, the madwoman is a heroine, a powerful figure who rebels against the family and the social order…” (Elaine Showalter) • “Gertrude, in Shakespeare’s Hamlet, has traditionally been played as a sensual, deceitful woman.” (Rebecca Smith) • “…when one closely examines Gertrude’s actual speech and actions in an attempt to understand the character , one finds little that hints at hypocrisy, suppression, or uncontrolled passion and their implied complexity.” (Rebecca Smith) • “Gertrude appears in only ten of the twenty scenes that comprise the play; furthermore she speaks very little, having less dialogue than any other major character in Hamlet… she
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