“Not a day since then I haven’t whished him dead”-Havisham This is very effective as the aggressive tone shows “Havisham” has been rejected and her love is causing her pain. Similarly in “Valentine” “Carol Ann Duffy” uses a very forceful tone with words like “here” and “take it” which tells us her lover is not being very co-operative and like “Havisham” suggests a degree of pain within there love. The theme of love is taken to a deeper level by “Carol Ann Duffy” when she shows through literary techniques that the pain of love can be dangerous. The theme of love is contrasted by violent metaphors in both poems. “Ropes on the back of my hands I could strangle with”-Havisham This is another example of the pain of love and it is particularly effective as it shows the extreme physical tension within “Havisham” and describes the pain of love as a driving force of murder.
06/14/2012 YASH PANCHAL Love and Seduction “My Last Duchess” by Browning and “To His Coy Mistress” by Marvell are examples of two men searching for the right words to express their emotions towards a woman. The speakers in both poems are talking about love and seduction. Even though they both are written in two different centuries, both pieces have remarkable similarities as well as some of the common expected differences. “To His Coy Mistress” values women and their love they give, while “My Last Duchess” totally humiliates the role of women in society. “My Last Duchess" and "To His Coy Mistress" shows the act of the men in these two poems.
‘Sonnet 29’ and ‘First Love’ both meditate upon love, however ‘Sonnet 29’ chooses to reflect on the transience of love and how it leaves you vulnerable, whereas ‘First Love’ cogitates about how love is uncontrollable and everlasting. Both poems are quite pensive but share completely different views. ‘Sonnet 29’ starts with the anaphora of “Pity me not…”. This makes it seem as if the poet, Edna St Vincent Millay, is being defensive as she becomes frustrated and reveals her annoyance, hinting that she may be feeling vulnerable and feeling insecure which links back to the poems theme of love leaving you alone and uncertain. This notion is reflected upon in ‘First Love’, where John Clare uses the oxymoron, “silent voice”.
In Christina Rossetti’s poem “Cousin Kate”, there is a theme of commitment. It is mainly about how one man shows his loyalty towards two women, “Cousin Kate” and the speaker. The lord shows no commitment towards the speaker and uses her for his own sexual pleasure. “He wore me like a silken knot,” in this quote the verb “wore” is comparing the speaker to something that can be used. Also the simile “like a silken knot,” the use of this simile is comparing her to something soft and fragile, therefore there is a theme of possessiveness and this shows that lower class women in the Elizabethan era were easily manipulated by higher class men.
She was his lady and his love. Although their love was star-crossed from the beginning, it was always genuine and pure. "the god of my idolatry", is what Juliet called Romeo - she truly loved him. She offered him her lover's vow before he asked for it.
Machado way of expressing his ironical approach to writing gives the women characters a dilemma attitude especially when he infers that the best way to define love in the world is not worth one kiss from the girl you love(pg 60). Allende on the other hand foreshadows much of the sensuality of the stories in the Prologue, as the Carle and Luna rest after love making, and in the painting that is their images, their skin gleaming moistly and lying in intimate complicity. Onetti portrays love and women as geared by unreasoned sexual desires and so women presents a distorted image of men, but Allende depicts women as the main cause of suffering irresponsible men inflict left to rear the children in
Subtle Doubts: The Examination of an Anne Bradstreet Poem Anne Bradstreet, a female poet who is often mistakenly regarded as the quintessential Puritan woman, appears to have instilled themes in her poetry about the love she shares with her husband, her children, and God; however, when one takes a deeper look at some of her works – for example, a poem called In Memory of My Dear Grandchild Elizabeth Bradstreet – it becomes apparent through subtleties found in her diction, syntax and tone that Bradstreet secretly holds a dark and wrathful view of both God and the Puritan society in which she dwells. The surface understanding of In Memory of Elizabeth Bradstreet is rather simple; Bradstreet is deeply saddened by the loss of her granddaughter, and exhibits her grief through heartfelt metaphors. In the first three lines of the poem, Bradstreet refers to her granddaughter as the “the pleasure of mine eye” and describes her as a “fair flower”. Then, the poem shifts focus from Bradstreet’s love of Elizabeth to her view on death. Indicators such as the repetition of “farewell” emphasize the tragedy of the situation while lines such as “…a space was lent” solidify the idea that Elizabeth’s young death suggests that her life was only temporary.
Elizabeth Barrett Browning, a female composer in a patriarchal society that is hi ghly religious and traditional, wrote reluctantly about her love for Robert Barrett Browning throughout her poems. Sonnet XIII specifically reflects on parochial Victorian age values and shows how Barrett Browning does not conform to female expectations as she wrote spontaneously about her obsession with love. Similarly, F. Scott Fitzgerald reveals the consequences of obsession with love and the impact of non-conformity in social and historical contexts through the characterisation of Gatsby, who refuses to conform to expectations of immorality and develops an obsession with this. Thus, the issue of different context and forms is significantly ineffective as the consequences of obsession relatively have the same effect even if the influence was different. Barrett Browning presents positive consequences of obsession as her sonnets, whilst being heavily influenced by religion and spirituality, also
The quote “squeezed the universe into a ball” is actually taken from the poem “Andrew Marvell to his coy mistress”, and is meant to show how Prufrock wants to force his life into something he can control. The author establishes in the next half of that particular verse, using a reference to the bible, that his attempts to understand women always fail. “I am Lazarus, come from the dead, come back to tell you all, I shall tell you all” is later discredited by the women in the room when they say “That is not what I meant at all. That is not it, at all”. The reference to Lazarus returning to life is a contrast to the poem’s epigraph, which is a piece taken from Dante’s Inferno, elucidating that an escape from hell and death is
‘Larkin rarely presents women in a positive light.’ In the light of this statement compare the ways in which Larkin and Abse write about women in their poems. In your response, you must include detailed critical discussion of at least two of Larkin’s poems. I agree with the statement ‘Larkin rarely presents women in a positive light’ as in his poems ‘Sunny Prestatyn’ and ‘Wild Oats’ it is recognizable that he portrays women as sex objects. In contrary, Abse feels a more personal and passionate connection towards women which is demonstrated through the poems ‘Two Photographs’ and ‘Blond Boys.’ Both poets explore their attraction to woman. Conversely Larkin presents his fascination over women to be a sexual one in which he also degrades them.