Will Any of the Anti-Piracy Tactics Adopted by the Film Industry Be Effective in Stopping the Illegal Copying and Distribution of Films?

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Copyright infringement of audio-visual works, often referred to as piracy, occurs when unauthorized copies are made of music, movies and similar works. Incidence of copyright infringement has grown dramatically since the late 1970s, as technology has facilitated the unauthorized duplication of copyrighted works. Unauthorized copies of original CDs, DVDs and other media are sold for very low prices around the world. The film industry is using different tactics to stop piracy. They digitally watermark their movies to prevent them from being copied. They are showing trailers thanking the consumer for purchasing the film (positive reinforcement) instead of preaching. For bootleggers recording the movies using video cameras theatre management send ushers with night vision goggles to roam the theaters searching for people with recording devices. The MPAA and the FBI work together to crack down on bootleggers. At the request of Japan's National Institute of Informatics, Sharp has developed a technique to render any recording unwatchable by flashing pulses of infra-red light from behind the cinema screen. The pulses pass through tiny holes in the screen, originally designed to allow sound through, and cause interference to any video cameras held by members of the audience. The IR light is invisible to the human eye, but is impossible to filter out without rendering the recording too blurry to watch. While the film industry has attempted many tactics to stop the piracy of films via downloads or unauthorized copying and sales of DVDs they will not be able to stop this activity completely. “While people might think they’re getting a steal when they download an illegal copy of the next big movie on the cheap, they’re actually stealing from American workers,” says Matthew D. Loeb, International president of the International Alliance of Theatrical Stage Employees (IATSE), in an

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