Walt Whitman's Spider Poetry

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When I was a senior in high school, I competed in a poetry recitation competition, in which I had to choose three poems from different eras and recite them. The first poem that I chose was Walt Whitman’s A Noiseless, Patient Spider. I can’t quite recall why I chose it, I think I wanted to do Oh Captain! My Captain but it was too long. The most baffling part of the poem was how he wrote about a spider…Who chooses that as a topic? And more so, who makes that topic into something as deep and abstract of a topic as his soul? To be honest, I didn’t get it. Not the first time I read it. Not the twenty-second time I recited it in my high school auditorium. It didn’t make sense. But what did make sense was his use of language and sound to make the poem’s impact lasting. I remember sitting in my coach’s classroom, repeating line after line, enunciating each and every syllable until I was blue in the face. The hard T’s on little, promontory, it, stood, isolated, to, vacant, vast; exploring every possible way to make each “filament” distinct from the other two. In fact, the entire first stanza is full of hard T’s making the idea of the spider still intimidating and then coming in with the second stanza to make it seem hardworking and almost endearing. Whitman also uses repetition to his advantage, and often; mark’d, filament, ever, surrounded, till, O my Soul….so many repeated phrases and words that at first seemed redundant but ultimately reach out to make an impact and bring his point about the spider, and himself, across perfectly. His use of language is absolutely awe-inspiring in the second stanza, beautifully pairing words to make gasp-inducing phrasing. The first time I read the poem, the language struck me most; “Ceaselessly musing, venturing, throwing.” That line really brings across the spider’s struggle to spin its web, how quickly it must move and how often it

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