This can be shown in the ‘Proof of Marriage’ source as the phratry must accept that a child is legitimate, otherwise property will not be given to the son. However it can also be said that it is in fact wives who fear their husbands and not the other way round. In the Eurastophenes’ murder case, Euphilites laughed at his wife when she suggested he ‘mauled the maid which could indicate women were in fear of how sexually controlling their husbands could be and how they could still get away with it. In the Naerea source is also shows men can be abusive to women with little to no consequence as Phrynion gets away with his abuse towards Naerea. You could also view the violence as a cry of fear and other controlling behaviour could emphasise that.
Module A: Comparison of Texts Individuals challenge the values that permeate time, in a manner that is relevant to their society. This rebellion is evident in William Shakespeare’s play The Taming of the Shrew and Gil Junger’s film 10 Things I Hate About You whereby Katherina and Kat initially disregard the social expectations for women of their context. The composers portray this comparably, using textual integrity so the women’s misunderstood, shrew-like behavior is suited to their culture and society. This in turn, provokes both characters to experience a transformation of self and their values. In The Taming of The Shrew, Katherina challenges the values and themes of courtship and marriage, dismissing the female etiquette when meeting her suitor.
And what is a greater crime than making women hate themselves for reasons that they cannot change? The “anti-narcissism” that men have made consists of women not liking anything about them and wishing that they were the opposite sex just to get more respect. They don’t have any self-respect for themselves because of the nonsense that the “dominant” males have fed them their whole lives. This makes everything hostile for women and while men are busy controlling what the rules are and what can be published, women are struggling with this internal conflict that they’ll never get far in life because of their sex. Cixous boldly declares that women have been “kept in the dark.” What is this darkness you may ask?
In (IV.2.195) we discover that Emilia responds to Iago's commands repulsively. By betraying her husband's will, she mentally chooses sides between good and evil, justice and tragedy. 'Othello' presents this struggle, secretively interweaving the deceiving plot that makes 'Othello' stand out from the rest of the 'Shakespearean tragedies'. Leading up to
Iago’s murder of Emilia could also come from the general hatred of women that he displays. Emilia can be seen as a cover up to Iago’s true sexuality. When Iago tells Othello, “I am yours favour” it sets up the idea of Iago having homosexual feelings for Othello, these words sounding like a wedding vow. He certainly seems to take great pleasure in preventing Othello from enjoying marital happiness with Desdemona by framing her to be seen as unfaithful to Othello also he expresses his love for Othello frequently and effusively, for example; "…I lay with Cassio lately…. In sleep I heard him say, "Sweet Desdemona, Let us be wary, let us hide our loves!"
The universal truth behind this story is that the innate differences between men and women coupled with lack of communication will cause a marriage to stagnate and become an uneasy compromise. Insensitive and inconsiderate of his wife's feelings, Michael openly admits his attraction to other women. Frances wants to know his true feelings and he gives them to her cold, "I got all this stuff accumulated in me because I've been thinking about it for ten years and now you've asked for it and here it is." (7) He does not acknowledge his wife's despair; he knows he is wrong and yet he feels righteous because so far it has only been a physical attraction. Michael blithely dismisses his wife's pleas for reassurance.
William Shakespeare’s famous play, Hamlet, offers detailed and often callous insights into the role of women, and men, in the Renaissance period in which the playwright lived in. Throughout this time, traditional women were often constantly criticised and treated as inferior to male counterparts. As such, Shakespeare has constructed his female characters to fulfil these traditional roles; however by taking a feminist approach these female characters appear marginalised and degraded. Ultimately, through the playwright’s representation of women, they can be see as worthless, sexual objects , both weak and inconsiderate in nature. Through a modern perception on the playwright’s female characters, women can be seen as worthless, sexually corrupt indiviudals.
There may seem to be many motivations for villains throughout the times but as we study these scoundrels we find that generally they are motivated by pure jealousy, or a need of superiority. They utilize manipulation, both physically and mentally in order to achieve their goals and show a lack of remorse. Stephan King’s “Misery”, provides us with a very graphical depiction in Annie Wilkes a sadistic, mentally unstable retired nurse, who has a desire for power and control. Annie goes to tortuous extremes on her captive Paul Sheldon to realize this. Iago from Shakespeare’s play Othello is also a power hungry villain who enjoys having people under his control, he is driven by extreme jealousy and the motivation, revenge.
Girls Rule: “My Sassy Girl” as an Attempt to Promote Women’s Inequality By Olga Fedorenko “My Sassy Girl” is a hilarious comedy, which invites the audience to laugh at the misadventures of Gyeon-woo, who regularly gets beaten by his mother and by bossy girlfriend. Jae-young Kwak, the director of “My Sassy Girl,” seems to question the traditional gender roles; however, from another perspective, the movie can be interpreted as reinforcing the double standard for men and women and thus endorsing gender inequality. In this essay, I will argue that Kwak promotes gender inequality by portraying it as women’s secret weapon. While looking into how gender relations are presented in “My Sassy Girl,” it is important to keep in mind the social context of South Korea. Though the feminist movement took a strong hold and the ideas of gender equality are promoted within the educational system, women still have limited opportunities for self-realization outside the family (Cho, 2002; Janelli & Yim, 2002).
Shakespeares portrayal of female characters in the play Hamlet mirrors the way in which women were perceived in his day. The actions of the characters Ophelia and Queen Gertrude are often heavily swayed by the words of the male characters. In the play, the male characters think of the women as archetypes, who do not make choices for themselves, and thus the female characters behave as though they are helplessly caught up in the plot and unable to change their situation’s. Hamlets lover, Ophelia, is by far the most piteous character in the play. Although it was Hamlet who wooed her, and with whom she was intimate it is Hamlet himself who later chastises her for her impious actions.