Under My Skin: Deconstruction of Feminism in the Storm

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I’ve Got You Under My Skin: Patriarchal Oppression in Kate Chopin’s The Storm “And they all lived happily ever after…” the perfect happy ending of usual romantic fairytales seems to echo in Kate Chopin’s The Storm with it pessimistic ending line: “So the storm passed and everyone was happy (625),” or at least that is what Chopin intended. The Storm is a narration of feminism celebration women’s liberation, or more specifically sexual liberation, from the oppressive morality of the patriarchal society. However, if observed closely, the story’s way of presenting this idea of feministic liberation ironically deconstructs its ideology even more. The story begins with Bibi and Bobinot, two male, and only, family members of our female protagonist’s life. The liberating theme, and ironically its own deconstructive sense, is already suggested in the very first paragraph of the story. “The leaves were so still that even Bibi thought it was going to rain (648),” foreshadows the submissively ‘still’ status of women in society that is about to shaken by the coming of the sensuous storm in the story. The concept of equality in gender role that is about to burst out by the upcoming storm is also suggested in the following sentence mentioning Bobinot’s converse of ‘prefect equality’. As for “certain somber clouds that were rolling with sinister intention from the west accompanied by a sullen, threatening roar,” expresses Chopin’s idea of the power of women’s liberation that would threaten the male’s role in society like the storm would affect Bobinot and Bibi. However, the very fact mention in the following sentence that theses two male characters were away from home and decided to “remain there till the storm has passed,” deconstruct the feminist liberation that in order for woman to liberate herself, like Calixta presumably liberate herself through her

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