Un Chien Andalou

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Title: Un Chien Andalou (1929) Directed by: Luis Bunuel Screenplay by: Luis Bunuel and Salvador Dali Length: 17 minutes “Un Chien Andalou” is a short film intended to be devoid of meaning. The work is collaboration between Luis Bunuel and radical artist Salvador Dali. This 17-minute masterpiece is pure surrealist anarchy. Nothing in the film was intended to make sense, not even the title, “An Andalusian Dog” as one will discover upon watching the film an absence of any K-9 friend. The actors serve as the tool in which to depict the manifestation of the creators comment on society's need to obtain logic. A Freudian fuelled text; “Un Chien Andalou” is laden with powerful symbolism. Just like in dreams, each chaos riddled scene is a mesh of unrelated objects with organic qualities and symbols that are curiously unfurled in an unnatural relationship, even if there are none. The prime directive is to shock and provoke the viewers thoughts. Bunuel and Dali swarm us with disjointed images alluding to humanities ancestry with nature, the problematic relationship with culture and attitudes towards time and social growth. The silent accomplice to the work is the creative cinematography that echoes the twisted annals of dream sequences. Fracturing, slicing, and twisting of linearity was a radical concept for the time and techniques pioneered in this film remain a staple in the language of cinema over 80 years later. As the narrative flows, symbolic images are presented to the viewer in a haphazard manner reminiscent of a dream like state. Sexual symbolism is woven into almost every scene from the beginning to the end of the film, as well as references to religion, nature and shifting cultural values. As the story progresses the sexual symbolism in the ‘groping’ scene is overt to say the least and suggests many different ideas about sexuality. As the protagonist
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