Two Trains Running

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“Two Trains Running” I’ve chosen to write my paper on August Wilson’s “Two Trains Running.” I saw the play at the Geva Theater in Rochester, New York with a friend of mine who is from Liberia. My friend was writing a paper on the early experiences of African Americans in the United States and wanted to get a sense of their lives and struggles. She had already seen a production of “Fences” at a local school and decided to see “Two Trains Running.” when it came to Geva as part of the theater’s five year commitment to run Wilson’s ten plays from his “cycle of plays.” I agreed to accompany my friend because I read Wilson’s “The Piano Lesson” several years ago and I enjoyed it very much. Catching a production of “Two Trains Running” would not only allow me to enjoy another of his works, but experience it first-hand as well. August Wilson, born Frederick August Kittle, grew up in the Hill District of Pittsburgh to a white father and a black mother (Kiffer, 2009, April 9). As a child, Wilson was both poor and fatherless. His mother and her culture were a big influence on both his life and his works. August Wilson considered himself “a black nationalist and a cultural nationalist” (Kiffer, 2009, April 9). Wilson initially began his writing career as a poet before moving on to theater. He enjoyed many successes with plays such as “Ma Rainey’s Black Bottom” and “Fences” and considered one of the most influential playwrights in American theater (Kiffer, 2009, April 9). “Two Trains Running” is one of August Wilson’s “cycle of plays.” The “cycle of plays,” sometimes called the "Pittsburgh Cycle," is a series of plays set in Pittsburgh that depict the life of African Americans in the 20th century with each play set in a different decade (August, 2010). The director, Ron OJ Parson and cast are based in Chicago and are veterans of a number of Wilson’s plays (Emsworth,
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