Bradstreet’s use of metaphor allows her to relate the complex relationships of being a parent to being an author. When the narrator calls her creation her “ ill-formed offspring of [her] feeble brain” she draws parallels between how parents can feel about their children when frustrated (line 1). The narrator refers to her work as a “ rambling brat” to show how difficult it is to accept something she has created (7). The narrator seems to feel this difficulty not only as an author but also as a mother. As a frustrated parent feels the narrator once again uses the metaphor of a child to describe how an author feels when their work does not turn out how they wanted.
Melina Marchetta’s novel Saving Francesca is written from the point of view of Francesca, a sixteen year old girl who has moved to a new school and is trying to cope with her mother’s depression. Having the main character relating the story allows the reader to feel close to Francesca as the reader can understand her thoughts and feelings. However, because the story is told through Francesca’s eyes the reader has to rely on Francesca’s assessment of a situation. In many ways Francesca is an unreliable narrator. She does not fully understand what is happening to her mother and many of her comments about her mother are incorrect.
Austin uses the genre of a novel with literary techniques to present a satirical and sometimes humorous view of her 19thC world. While Heckerling uses the genre of film with primarily film and visual techniques to present a similar message in a modern world. Parallels in character are probably the most obvious. Heckerlings characters may use language of the 1990’s and have modern day interests and occupations, but they depict similar types of people with the same traits as Austin’s characters. Heckering exploits the contemporary genre of film to create, if you will, an Emma of our time.
As the story transpires, Jane's unknown figure becomes all that is known to her; however, because of what is expected of her as a woman it is difficult for her to acknowledge her own self as she is afraid of her own monstrosity. Her repression is what initiates her transgression of becoming this unknown figure, and through excessive behaviour and desire she is able to recognize her situation as everything she is initially told is meant to keep her in the dark. Living in the nineteenth century, Jane has an extensive amount of pressure to be the perfect housewife and comply to her domestic expectations. Women have little rights and respect, and they must pursue their roles as women and tend to their husband and children's needs without complaint. Jane is very aware of these pressures placed upon her, as she is constantly describing how she must make John happy, and get well for John and the baby.
White Oleander by Janet Fitch demonstrates how the protagonist, Astrid Magnussen, encounters herself with many struggles and obstacles that she must overcome. The only source of family that Astrid has is her beloved mother Ingrid Magnussen, which shows her charisma in her own egotistic way. The type of affection expressed from mother to daughter causes Astrid to feel suffocated due to the fact that her mother sees her as an extension of herself rather than a particular individual. This provokes Astrid to experience a difficult time setting aside from her mother’s suffocation and outgrowing to become the individual she wants to be. Ingrid’s imprisonment causes Astrid to experience solitude when she is transferred to a foster home.
These two well written novels are very similar, two main similarities are both Baby and Anne were never loved properly, and both Baby and Anne’s mothers died. Yet both novels are very different from each other, two main differences are Baby is loved in the foster home she lives in and was better off in it, yet Anne was neglected in her many foster homes, and both Baby and Anne are very smart individuals but Baby gets put into a practical learning class while Anne wins a scholarship. there are moments in our lives when we find ourselves at a crossroad, afraid, confused, without a roadmap. The choices we make in those moments can define the rest of our days. of course when faced with the unknown, most of us prefer to turn around and go
At the beginning of the novel it is revealed to the reader that Mariam does not feel loved and accepted by her mother, her conflict with Rasheed leaves her feeling worthless and insignificant. Ironically; she ultimately finds love and acceptance with Aziza who like her is a “harami” and has been conceived out of wed lock.
The story Marriage is a Private Affair by Chinua Achebe has a villain named Okeke. His stolid look on things made it hard for him to keep an amicable relationship with his son. Harrison Bergeron’s, by Kurt Vonnegut Jr., villain would be The H-G men. They go to extreme actions to provide equality. The Judges in The Pit and the Pendulum by Edgar Allan Poe are considered villains because of how they torture innocent civilians.
They act different.” The 4th Juror has similar beliefs to the 10th Juror: “This boy, let’s say he’s a product of a filthy neighbourhood and a broken home. We can’t help that. We’re here to decide whether he’s guilty or innocent of murder…He was born in a slum. Slums are breeding grounds for criminals…Children from slum backgrounds are potential menaces to society…” While a number of other Jurors don’t say it, the 4th Juror’s prejudice is a pervasive one. The 7th Juror prejudges the boy because of his record: “Look at his record.
Opening the story, the reader is told that Lily has Down’s syndrome, leading to the belief that Lily is the stories victim. After all, she is handicapped and has a sister who is a child genius. However, as the story continues, it becomes harder to identify who is truly suffering in the story. When Ken tells Sophie that Lily clarifies things, Sophie bitterly thinks “She softened things and made them sticky. [She] and each parent had been separate individuals before Lily came.