To Autumn Analysis

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“To Autumn” Analysis “To Autumn” by John Keats is a beautiful ode that at first glance is simply a journey through the seasons and all the wonderful experiences that accompany such a journey. However, this ode is much more than a simple illustration of the changing seasons. With definite changes in the scope of scenery, from closed-in to landscape, and the dynamic changes in energy, the poem illustrate not just a year of changing seasons but the entire journey of ones life. First and foremost in Keats poem is his brilliant use of imagery both visual and gustatory. Stanza one depicts a spring morning with overwhelming amounts of budding fruit. “With fruit the vines that round the thatch-eaves run” illustrates complete abundance, but Keats continues on to give an image of an apple tree so full of fruit its branches are bending down to the ground. With more images of “plump” hazel shells and flowers “budding more” there is nowhere else that could be as plentiful as the scene described here. Just when there is nothing left to describe suddenly the scene changes very distinctly from a warm spring day to a lazy content summer afternoon. The imagery changes here as well, rather than being overwhelmed by the taste and sight of the fruit Keats creates a calming drowsy scene with the “fumes of poppies” the scene shifts to that of a “granary floor” and the world being caressed by “the winnowing wind”. Keats ends this ode ending the apathetic mood with the songs of nature ranging from “a wailful choir” of gnats to “loud bleats” of full-grown lambs. Another poetic tool Keats uses in “To Autumn” is the continuous flow and change of perspective from which the scene is viewed. . In stanza one there is a very enclosed and small area of “Mossed Cottage”. This is meant to focus attention inward, towards minor details rather than a big picture. This represents the
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