Thi Is England (Film) Analysis

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This Is England (2006), directed by Shane Meadows, follows the British contemporary social realism genre as it clearly represents the realities of life, in all its unpleasantness. In his film, Meadows depicts everyday characters, usually from working class backgrounds, that the audience can easily relate to. Generally, films from this genre are dark, gritty and harsh in their portrayal of the protagonist’s struggles. The overriding message is that this generation is turning to racist subcultures as a scapegoat for what they view as a society where the native British are becoming marginalised and overrun by immigration. There is also an underlying subtext which establishes that youth culture can produce ‘tribes’, such as skinheads, who may appear different but who also welcome traditional values of tolerance and acceptance. The skinhead culture, which evolved out of the ’mods and rockers’ culture of the sixties, were proud of their working class roots, which is how they adopted their ‘boots and braces’ signature dress. Additionally, Meadows is disenchanted with the ‘flag-waving’ and xenophobic celebration of the Falklands victory which he observed as disguising the fact that the British forces overwhelmed the untrained and ill-prepared Argentine forces. Meadows highlights the signs of a hypocritical approach; Britain was celebrating a great colonial victory in conjunction with a time of mass unemployment and divisiveness at home as a result of the Thatcherite government. In his film, Meadows utilises a ‘linear narrative’, where the story starts at the beginning, goes on through the middle, and ends at the end. The social realism genre commonly adheres to this conventional narrative to add to the realistic aspect of the story. Narratives are inter-textual, which means that they refer to one another. As an audience we understand one narrative as we have experience

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