Theme of Death in Romeo and Juliet

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Throughout his play, Shakespeare uses death to move his story along. He does this with actual deaths, which cause problems for the lovers, and through premonitions and dreams of death. Both Juliet and her Romeo exhibit these premonitions/dreams. The use of death is immediately seen in the prologue of the play: “The fearful passage of their death-marked love…” (Shakespeare Pro. 9). The Prologue offers us the inevitable fate of the two lovers short and abrupt. During the first act of the play, we learn of the Capulet’s ball, and of how the lover’s met. After the ball is over, Juliet says, “…If he be, married, my grave is like to be my wedding bed,” (I, v, ll.143-44) which is a foreboding of the final scene of the play. This partially leads to Romeo and Tybalt’s duel in III, i, as Romeo’s presence at the ball antagonizes Tybalt. In II, iv, Benvolio and Mercutio reveal that Tybalt has sent Romeo a challenge to a duel. Just before the arrival of Juliet, the Friar warns Romeo against consummating their new marriage too quickly. Romeo agrees, but challenges death to ruin the moment, “...then love-devouring death do what he dare…” (I, vi, ll.7.). Now if only the marriage was made public, these forebodings may not have come to pass especially the duel with Tybalt. In III, i, Tybalt accosts Benvolio and Mercutio in search of Romeo. Now, Romeo does not want to duel with Tybalt as he is now secretly his kinsman, but this does not stop Mercutio for getting in the mix with Tybalt. Romeo gets between the two men, and as Tybalt attempts to run Romeo through, the sword goes under Romeo’s arm and mortally wounds Mercutio. Before he is taken away, Mercutio says to Romeo, “Why the devil came you between us…A plague o’ both your houses! They have made worms’ meat of me. I have it, and soundly too. A plague!” (ll.102-103, 10106-108). Here, we see Mercutio cursing the two houses, and, in

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