Lieberman’s point is that fairy tales make beauty the basis for which reward is given, not intelligence, work ethic, or anything else a radical feminist would see as an asset. Lieberman also stresses that in popular fairy tales, beauty is associated with being kind and well-tempered whereas ugliness is associated with being ill-tempered and often jealous. This can be easily shown in one of the most popular fairy tales of all—Cinderella. In this, Lieberman argues, Cinderella is oppressed by her cruel, ugly stepsisters and stepmother who force the kind, beautiful girl to do all the chores in the house. Cinderella ends up getting the prize (marriage to the prince) based on looks alone.
This film not only displays how the world expects teenage girls to act, but also how difficult it is for teenage girls to resist acting this way. Mean Girls is a perfect example of how girls, want to be like the plastics. You have the Queen Bee throughout the movie and every normal girl wishing and wanting to be like her. She’s like the Barbie, everyone wish they could
Growing up, I thought my mother looked just like Cinderella and had the same pretty voice. I was excited to watch this movie again, with my daughter, because I thought it would bring me back to my childhood. I must admit that while watching it for absolutely different reasons, and taking notes, it was hard to enjoy it as much. Without immediately referring to the sheer passivity of the heroine, Cinderella, I’ve found that this story not only gender-stereotypes, but sets societal norms right out there on the table for you, and agrees and supports every one of them. Cinderella is not the role model I want for my daughter.
It all begins with a young girl being born into the world of judgment. Children believe everything they are told. If they are told they are beautiful, they will believe it until someone tells them otherwise. Young girls are impressionable by their mother’s and female counter part’s actions, such as wearing fancy clothes and putting on make-up. In the poem, the speaker states the girlchild has “wee lipsticks the color of cherry candy” (4), showing that she already wants to alter her appearance.
Rhetorical Analysis Final Draft Wonderland not so wonderful Many people think that Disney movies are a positive influence on children especially girls, but the real question is, are these imaginative fantasies a positive thing? In the article “Escape from Wonderland: Disney and the Female Imagination”, the author Deborah Ross analyzes a series of Disney films and their influence on female culture. Ross breaks down three films that feature a heroin; The Little Mermaid, Beauty and the Beast, and Alice in Wonderland. She provides both an informative and argumentative analysis regarding females of all ages and their imagination. Her evaluation is very successful through the use of imagery, sentence structure, and logos to get her point across to her audience.
Orenstein has gotten accustomed to adults assuming her daughter likes pink and princesses. For example, at Longs Drugs, the woman gives Orenstein’s daughter a pink balloon rather than letting her choose the color she wants, and Orenstein lets it slide. At the dentist, Orenstein is so fed up, when the dentist asks her daughter to “sit in the princess throne” so she can “sparkle her teeth,” she finally snaps (326). Her daughter, surprised by Orenstein’s reaction, wonders what is wrong with princesses. Orenstein then sets out to explore the possible answers to her daughter’s question.
The fact that most fail to realize, as pointed by the author, is that these two mothers want the same things: they both want the best future for their daughters, and both mothers are willing to do anything to ensure that it happens. It is, however, Cinderella’s mother who surpasses and comes in first place. Panttaja believes Cinderella succeeds in winning the prince’s hand at the ball not because of the goodness of her character, but because she was able to stay loyal to her mother. By doing this her mother rewards her by giving her the most beautiful appearance in the entire kingdom. Cinderella succeeds through her mother’s magic, deceit, lies, and disguises.
Kahlil M. Barrett English 1102 Susan Laplant 24 April 2013 Pimping My Child When a person thinks of a little girl and everything that she is supposed to represent, the first thing that comes to mind is a joyful little child wearing pink overalls. Perhaps she even has a little tea set with stuffed animals and Barbie dolls. They can see her hair in pigtails or little braids with hair bows on the end. That’s a pretty cute and vivid picture right? Now what if little girls who are barely 5 years old could now wear high heels, cake on pounds of make-up, plaster on fake eyelashes, and wear the brightest shade of red lipstick as possible?
In this story Panttaja says it is both mothers that are wicked. Panttaja states the real mother “plots and schemes, and she wins” (Panttaja 660) when it comes to fulfilling the wishes of Ashputtle. But actually the two mothers have the same goal in mind; to have their daughters married off and have a joyful life. To be able to do this, the real mother puts a charm on the prince to make him fall in love with Ashputtle instead of anyone else. The prince did not dance with anyone else all night and would always say “she is my partner” (Grimm 630).
Because Cinderella matches this model perfectly, it is, therefore, used as a stereotypical standard. Anne Sexton sarcastically denounces the fairy tale sexism in “Cinderella” with a lighthearted style that