He also makes it seem like everything is crumbling around Paul, and destroying all hope of survival and return to normal life for anyone who had experienced the front line. This is very different from pro-war poetry, which makes war seem fun. Something Remarque does either subconsciously or very well, is to make you feel sorry for the German and Central Powers’ soldiers, and to grow a subliminal hate for the allied soldiers, no matter who’s side you came in on. The Textbook also does this well, but in reverse. The Textbook gives off a sense of dislike towards the Central Powers, and made them seem primitive and destructive for no reason.
“…Did they really believe that this war would end wars…it all happened again, and again, and again,” this use of rhetorical question and repetition emphasises the anti-war sentiment that both Bogle and Dawe capture. Similarly in Homecoming, it is illustrated the dehumanisation of war. “…mortuary coolness…deep-freeze…sorrowful…frozen sunset…wintering tree…bitter…grief…”through an extended metaphor, it is suggested the implications on the society from the death of thousands of loved ones; the coldness is symbolising the death, grief and struggling of society and the individual. Dehumanising effects give poets their anti-war point of view the effectively portray the bonds between the society and the
In contrast Tennyson’s Charge depicts a disastrous battle during the Crimean War and therefore shows the disbelief and horror of conflict. Tennyson uses the poem to show the admiration and bravery of the solders in their determination to obey orders even though the orders were foolish. Futility could be considered as an elegy for the unnamed solider and opens with a tender and sad tone shifting to pointlessness in the second stanza. The use of the pronoun ‘him’ in the opening line suggests this could be any soldier from World War I demonstrating the number of men who would remain unnamed and unclaimed during this conflict. On the contrary Charge is patriotic with Tennyson celebrating the courage and obedience of the soldiers – this can be seen in his use of ‘glory, honour/noble’.
This notion is further emphasised through the use of jargon in the lines, “The Japs used to weigh us, to see how thin our bodies could get before we started dying”. This statement implies the nature of the camp to be brutal and unforgivable. Misto has incorporated both visual images and jargon to create an effective sense of authority to therefore relive their experience of war through memory. Likewise, the poem Dulce et decorum est by Wilfred Owen is how the post himself saw war with no knowledge, imagination or training which prepared Owen for the shock and suffering of front line experience. Its horrifying imagery has made it one of the most popular condemnations of war ever written.
Throughout ‘The War poems’ Owen creates a sense of sympathy for the soldiers who fight in war and are forced to endure horrific atrocities that either they themselves commit, or are committed against them, the continual assaults on their physical and emotional wellbeing. In the poems Owen recreates his experiences being an officer on the ‘Western Front’ in World War I, and voices his bitterness towards and rejection of the futility of war; the never ending loss of life at the hands of the British Military. Owen condemns those who encouraged young men to go to war and used rhetoric to give off the impression that war rewarded young men with glory. Owen rejects this in his poems by reflecting his own experiences as ‘Glorious’ and investigating the horrors of war, and their effect on the physical and emotional wellbeing of soldiers. Owen’s poems are riddled with references to the loss of youth, innocence and life.
Conflict is born of ignorance, intolerance and fear- Expository essay. Conflict is an unavoidable part of the world we live in. Whether it be a small Family disagreement or a large scale Terrorist attack, strong parallels can usually be drawn back to ideas of ignorance. For example, in Bruce Beresford’s ‘Paradise Roads’, which tells the story of a group of women imprisoned by the Japanese during World War II, we see how conflict initially arose in response to the Westerners ignorant attitudes towards the Japanese. With increased knowledge regarding the strengths and abilities of their opposition, it would have been less likely for Japan to conquer much of the Pacific by successfully entering World War II, as the Western Individuals would have been vigil and prepared for attack.
Charles Yale Harrison’s novel Generals Die in Bed strips away the misconception that war and is glorious and in doing so strongly conveys to the reader the horrible reality that was the First World War Harrison emphasises the harshness of this reality through the constant bombardment of gruesome and desensitising events experienced by the Narrator. The dramatic degree of different between the fictional views held by the public and the truth is highlighted by the contrast of the soldier’s experiences and society’s false impressions. Furthermore the novel shows war for what it truly is, a dominant force with the power to consume, transform and scar all that stands in it’s way. Through GDIB the reader is given a raw and truthful depiction of the
These two themes show the ugly side of war. Insanity among the soldiers and the way they view each other is very unusual. The soldiers can’t conform to one another or follow a common set of rules. The reader also sees that regardless of his mental state, Yossarian can’t be discharged. The theme of death, is one that is against war.
Loneliness, like many other misleading emotions can lead to insanity. The soldiers in The Wars are given time to think, to regret, to feel guilty and ultimately succumbed to the emotions of anguish. Timothy Findley demonstrates that the loneliness of war has the potential to result in depression and eventual insanity. Through careful analysis of Timothy Findley’s The Wars, it will become evident that depression, loneliness and insanity are not just emotions felt on the front line, but also at home. By the thorough
Consider Lady Macbeth’s pathos, reflected in her sleep-walking speeches, “out, damned spot”. Here, ‘damnation’ accompanies the stain that corrupts the spiritual order of the world. Macbeth’s realisation that,“ all great Neptune’s oceans” cannot wash the blood from his hands mirrors Lady Macbeth’s words, “All the perfumes of Arabia will not sweeten this little hand.” Both characters are damned, reinforcing the idea that they have brought hell to earth with their deeds. 20. The identity of the third murderer is a question that is also worth considering in Act III.