Hamlet Essay Identify a key scene which can be seen to be extremely important for a number of reasons. A very dramatic and intriguing key scene in William Shakespheare’s “Hamlet” is the closet scene, Act III Scene iv where Hamlet sees his father’s ghost again and kills Polonius. The scene reveals to us Hamlets madness, violent rage and desire for revenge. I feel the scene was very dramatic and has many consequences for Hamlet and for Ophelia (who goes mad at the tragedy of her father’s death.) The beginning of the key scene is important because, Hamlet has been summoned by his mother, who is furious with him for events surrounding the play-within-the-play, in which it has been suggested clearly that Hamlet’s father has been murdered by his brother.
The murder of a king is at the center of the plot of both plays. In both plays, the king’s murderer, who is a kinsman of his, occupies the throne, but at the end of the drama is punished for his crime by death. Both plays are psychological dramas: the central conflict in each takes place in the mind of the leading character. Macbeth vs. Hamlet (Similarities/Differences) Thesis: Shakespeare used the same definition of tragedy when he wrote Macbeth, and when he wrote Hamlet; Shakespearean tragedies use supernatural incidents to intrigue the reader's interest, and his plays consist of a hero that has a tragic flaw (sometimes the want for the supernatural) which causes him to make a fatal mistake. I.
There is a duality to the character of Hamlet, as his madness changes from a performance to true insanity throughout the play. Initially, in Act 1 Scene 5, Hamlet is coerced by the ghost and decides that he will “put an antic disposition on”. This is the main use of dramatic irony in the play, as the audience knows Hamlet’s madness is performed. However as the play develops and changes, so too does Hamlet’s madness. Act 3 Scene 4 is the main turning point for Hamlet’s madness.
His suspicion of Hamlet is only minor until he watches the play written by Hamlet. When Claudius watches the play in Act 3 and the actors are preforming the murder in the garden, his guilt that he had been able to conceal before becomes uncontrollable. This is the first event of adversity faced by Claudius’ character in the play. By exploiting his guilty conscience, Hamlet forces Claudius to change his character from being confident in his crime, to being worrisome about being exposed. This subtle event creates a secondary plot in which the king
Although it is quite different than his first encounter with murder, this murder is all Macbeth’s idea. Furthermore, instead of doing it himself he decides to hire hit men to kill his friend Banquo who he believes is in his way of getting what he wants, more power. “I am in blood, stepped in so far that I should wade no more, Returning were as tedious as go’oer” (Act I, Sc.IV, Line 136-137). This serves as a pivotal moment in this play, Macbeth has decided that he is in to far already and there is no point in going back. He has decided that he already has blood on his hands he should just keep killing and getting what he desires, which now is to secure his hierarchy position.
While speaking the ghost Hamlet asks, “O all you host of heaven! O Earth! What else?/And shall I couple hell?” (I.v.25). Hamlet does not believe the ghost until Act III, when Hamlet tricks Claudius into revealing that he is the cause of his fathers death through the use of his play, “The Murder of Gonzago.” Even though Hamlet knows the truth, he still has trouble acting on his thoughts. It seems that Hamlet does not want to extract revenge and he regrets promising the ghost that he will do so, “O cursed spite,/That ever I was born to set it right!
The witches are also responsible for this murder, because once again, the witches put ideas in his head. Although the witches can be held responsible for the murder of King Duncan, Lady Macduff and her son, they cannot be held responsible for the murder of Banquo. The witches only speak of Banquo when Macbeth meets with them for the second time and Act 4, Scene 1, after Banquo has already been killed. This murder is the complete responsibility of Macbeth, because the witches had absolutely nothing to do with it and it was only Macbeth's own suspicions that brought him to have Banquo killed. If Macbeth had not taken action to fulfill the witch's prophecies, he would probably have been happily living as the thane of Glamis and Cawdor
This misinterpretation, committed in pursuit of power, leads Macbeth to perform certain actions which result in the death of the king, the death of Macbeth’s friends, and eventually his own demise. At the start of the play, Macbeth is seeking a great amount of power. His wife, Lady Macbeth says to him, “When you durst do it, then you were a man;” (Act 1, sc. 7, line 56), suggesting that they have either considered or committed murder for the sake of their own advancement in the past. Macbeth further condones this in his action to the witches’ prophecy that he will become king.
The personality traits of insanity and intellectuality also contribute greatly to the death of Hamlet. Hamlet’s tragic flaw is his procrastination. Without a doubt, Hamlet portrays procrastination and indecisiveness multiple times in the play. The ghost of Hamlet’s father visits him in the beginning of the play informing Hamlet that he was murdered by his own brother, Claudius: “The serpent that did sting thy father’s life/ Now wears the crown”(I.v.44,45). Furthermore, Shakespeare exhibits how Hamlet chose to devise a plan of acting mad, rather than avenging his father’s death immediately, progressing to his demise.
King Hamlet's ghost uttered to Hamlet, “The serpent that did sting thy father's life now wears his crown” (1.5.39). Hamlet agreed to avenge his father's death. Now, his life had a purpose, which is to kill Claudius. Aside from his father's death, there was something else that sent him spiraling down. He was denied access to his love, Ophelia.