The Real Inspector Hound

300 Words2 Pages
Explore how Stoppard both uses and subverts the conventions of the cosy school of crime fiction in. The Real Inspector Hound. Evaluate the success of his work. Stoppard both uses and subverts the conventions of the cosy school of crime fiction in The Real Inspector Hound making the text successful for its intended purpose. Stoppard deviates from the conventional themes of the genre as he does not intend to take the genre seriously initially. Although his work is successful where Stoppard comments strongly on crime writing, he refers to The Real Inspector Hound as a ‘jokey play’ where it has been criticised for not having the same quality as his other works. However he employs elements of cosy including the rigid use of a clue-puzzle literary game with an initial crime, a detective, character impersonation, suspects and clues, red herrings, specific settings and a dénouement. Through imitating key features of The Mousetrap composed by Agatha Christie, this enables Stoppard to employ certain conventions of cosy while simultaneously swaying from other elements in order to create a satirical play and comment on the genre as a whole. Stoppard uses his play to mock the conventions of cosy crime fiction as some believe theatrical whodunits are inevitably shallow and dull thus Stoppard only delineates the obvious. Stoppard focuses on the melodramatic style of The Mousetrap that involves the audience in clues and suspense with complications and revelations at the end of each act through his notion of absurdist theatre. He exaggerates the conventions of the crime fiction genre through combining elements of British comedy in his play where the audience is aware of such humour. By utilizing the audiences’ knowledge of detective fiction as an iconic British genre he henceforth creates a parody and pastiche in The Real Inspector
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