The Real And The Ideal In Romantis Literature

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The Real and the Ideal in Romantic Literature In an age dominated by social expectations, the 19th Century followed highly idealistic principles. These Ideals were presented throughout the social structure and thus divided it into classes. A capitalisation upon wealth and gender, two of the most prominent in a list of social divisions, highlight the fact that these Ideals were flawed, providing for a certain assembly. Ultimately, as history has shown, only the wealthy, aristocratic man was able to truly realise and feel empowered by the ideals that were created. This, we understand is one of the main principles expressed in the Marxist theories of Ideology, a topic I will cover later and which creates an understanding of the real and ideal in Romantic Literature. Against the confines of this Idealistic society however, some emerged who expressed (although not always blunt and openly) how there were faults in this ‘ideal’ world and sought to portray the ‘real’. Some of the roots of the Romantic Movement began in literature. Real – “existing or occurring in the physical world; not imaginary, fictitious, or theoretical; actual” | | | This definition, found in the Collins English Dictionary, expresses how anything presented as ‘real’ is indisputable fact. This presents a problem when analysing the literature of the Romantic Period because what is offered is always biased, and therefore cannot be presented as such. What we have to remember, when discussing the ‘real’ in literature, is that it is primarily what is real for the author and not a direct representation of society. In Romantic Literature, the concept of the Ideal presents a sense of an imagined equality, which appears to satisfy everyone, but in fact oppresses the majority. The Collins dictionary definition suggests how the ideal is “a conception of something that is perfect, especially that
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