"The New Woman" Bathsheba's Turmoils in Thomas Hardy's Far from the Madding Crowd

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Vincente CHAUMONT Literature | “At the end of the novel, however, she [Bathsheba] has learned through her suffering account of Boldwood and Troy how to value Gabriel so Oak’s patience is rewarded at last.” (BABB)Is this an over-simplistic view of character in Far From the Madding Crowd? | N.B: In order to facilitate the reading, references to the source book will be inserted into brackets whereas references to literary criticism will be inserted in footnotes. In 1859, George Meredith, one of Hardy’s contemporary poet and novelist, remarked in his novel The Ordeal of Richard Feverel: “I expect that Woman will be the last thing civilized by man.” Although “so monstrous a scorn” must have produced more than “some excitement […] in the bosoms of ladies”, such statement still splendidly reflects common thought on women during the Victorian Age. As a matter of fact, women held a second-rate position within British society during the whole of the nineteenth century. Yet, by the end of Victoria’s reign, industrialization, urbanization and the development of new theories on biological evolution fostered radical changes. A period of transition began which was to set the stage for the twentieth century. At any rate, Meredith’s comment, as misogynist as it might be, still testifies to the fact that women and civilization were undeniably linked and that, for better or for worse, women had to be integrated in the British cultural scene. Accordingly, Hardy’s choice of a female heroine for his fourth novel and first literary success, Far From the Madding Crowd, published in 1874, was consistent with the issues raised by modernity. Bathsheba Everdene, the maiden farmer, epitomizes a new kind of woman, one who is able, or at least in a position to compete with men. As she inherits her uncle’s farm in Weatherbury, Bathsheba also accedes to a new status: that of mistress.

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