The Mad or Not the Mad, Merely Insane

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The Mad are Not Mad, Merely Different Findley’s Pilgrim tells the story of a man, named Pilgim, who cannot die; his immortality affecting his self. After his latest suicide attempt Pilgrim is appointed to an asylum for the insane. Here, he develops a relationship with his physiatrist, Carl Jung, while desperately trying to convince him that he truly is immortal. This passage contains many literary devices and reveals to us certain characteristics of both Jung and Pilgrim, thus making it a significant scene in the novel. To being, literary devices found in the passage help convey the themes of frustration of immortality, process of the psyche, and images of the divine. Syntax and repetition are used in order to differentiate the meaning between truths we all know, and truths that can never be known. For example, the colour of the sky can be blue to one person and green to another. Pilgrim then uses rhetorical questions to provoke Jung’s mind into using this analogy parallel to Pilgrim’s case. Irony and foreshadowing are found throughout this entire passage and plentifully. Irony is first found in Pilgrim’s name. “A pilgrim” is a traveler who is on a journey to a holy place. Much like the definition, Pilgrim, having attempted suicide many times, is on a journey to the afterlife. When Pilgrim states that some people believe forever is “living and dying first in one form then another” (265), he is actually contradicting what evidence is found later on in the novel. Pilgrim states that he “is always eighteen at birth” (280). This gives the reader the impression that Pilgrim’s body may have been reincarnated with his mind always the same. Foreshadowing/ irony is once again found when Pilgrim states that he is looking for someone to say “this is a man who cannot die. Just no one says it. Ever” (265). This is ironic for Pilgrim is essentially saying no one will ever

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