Caroline becomes almost like a guardian angel as she attends to her ill father for several months and also adopts Elizabeth to give her the lifestyle in which she deserves. She almost really does become a guardian angel, as she dies in child birth whilst giving birth to William. This contributes to the theme of birth and creation, as she takes her life to create a new one, in turn entwining the ideas of death and birth together. Victor’s wanting to create the monster stemmed from ‘the secrets of heaven and earth that I desired to learn’ as he wanted to gain all knowledge and become almost God. Following the death of Caroline, Victor becomes engrossed in the creation and the idea of creating a monster and almost usurps the role of God by creating ‘man’, however it can be argued by many that the Monster isn’t a man at all, nor is he treated like one by many due to his looks.
She enters her own in-between-heaven. Susie watches her family from heaven. She sees how they all cope with her disappearance, and deal with the fact that she was murdered and never coming back. She tries to give her family the power to move on, and help them get back to normal. Un-fortune things don’t work out the way she wants it to.
Stacy was shot at the age of 13. One day she woke up in a new body and in a bed and room that’s not hers. When her best friend Jan comes to visit; she is a totally different person. Stacy feels as if she doesn’t know her anymore. She begins having flash backs of the scene when she was shot and everyone continuously tells her that she is an eyewitness and if she knows who shot her then she can put him away.
“After reporting her case to the police, one of the officers said she was "lucky" to be alive. Not long before, another rape had occurred in the same tunnel where Sebold had been attacked, that had resulted in a woman's death and dismemberment” (Biography). She eventually returns to school to finish her degree, but it only brought more traumas. Her attacker was capture and sent to prison. Her parents proved a little bit of support.
Mariam, the elder of the two, is ‘a harami’ the illegitimate daughter of Jalil, a prosperous businessman and one of his housekeepers. After a tragic death of her mother, when Mariam is only 15, her father marries her off to Rasheed, a much older Kabul shoemaker. After a few relatively peaceful years, after it becomes apparent that Mariam will not bear Rasheed the son he expected, his behavior escalates into constant verbal and physical abuse. At this time her life intersects with Laila’s, whose parents were killed in a rocket attack, as the family was preparing to flee the country to Pakistan. When Mariam and Rasheed come to the girl’s aid, she is approximately the same age as Mariam at the time of her marriage to Rasheed.
Marian said she felt fortunate to have found refuge. On the other hand, Nadia was 17 years old, her husband cut off her nose and ear while she was sleeping, she has undergone six operations and need more. Nadia said "I don't know anything about happiness". Another girl Gulsum, was kidnapped by her father, who was estranged from her mother, was forced to marry the son of her father's lover. Her husband and her mother- in- law beat her and threatened to kill
At the commencement of the novel, Jane’s character is “… a picture of passion!” (pg7, Jane Eyre), when she rebels against harsh treatment at the hands of her cousin John. As punishment she is forced to endure a night in the boudoir where her uncle Reed died nine years earlier. It is interesting to note that Bertha Mason is treated the same way for nearly the same reasons; circumstances force both Mrs. Reed and Mr. Rochester to take responsibility for their charges, “a promise of Mrs. Reed that she would rear and maintain me as one of her own… Mrs. Reed probably considered she had kept this promise … bound by a hard-wrung pledge …” (pg14-15, Jane Eyre). Mr. Mason likewise, entreats Rochester; “… let her be treated as tenderly as may be;’ … ‘I do my best; and have done it and will do it, …”(pg301, Jane Eyre) and Rochester adheres to this. When Rochester’s tells his tale (pg429-437), Jane’s narration portrays him as beastly, blaming his situation, on the unfortunate, lunatic Bertha, when the union was concocted by Rochester’s father.
She loves the boy who was four years ago and not the man who is now standing in front of her. His son tricked a girl into getting into his car where he raped her and now he is back to spill salt in her kitchen as he did after he ate his breakfast. Because she doesn’t want to look into his face, she pretends that she is sick then she goes to her room. There are many unanswered question in Myrna’s mind, and she couldn’t stay at her home anymore and be her mother so she leave with a note for Kenny that it means he should go away within a week. In my point of view Myrna made a good decision in this situation for two reasons, first it is a good punishment for Kenny as she dose’s want to be her mother any more.
She recounts the story of how her friend was badly beaten by her partner and she almost lost her life. After recovering, she left her partner as she feared for her life. Her friend later said she did not even go back for any of her belongings. Her partner continued to stay in the shack then claimed he owned the shack and that Mamgo sold it to him in 2007 for
Philological analysis of a novel “A Thousand Splendid Suns” A Thousand Splendid Suns is a 2007 novel by Afghan-American author Khaled Hosseini. It is his second, following his bestselling 2003 debut, The Kite Runner. The book, which spans a period of over 50 years, from the 1960s to 2003, focuses on the tumultuous lives and relationship of Mariam and Laila, two Afghan women. Mariam, an illegitimate child, suffers from the stigma surrounding her birth and the abuse she faces throughout her marriage. Laila, born a generation later, is privileged during her youth until their lives intersect and she is also forced to accept a marriage proposal from Rasheed, Mariam's husband.Hosseini has remarked that he regards the novel as a "mother-daughter story" in contrast to The Kite Runner, which he considered a "father-son story".