The Healing Drum

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The Healing Drum This book is about an African American musician named Yaya Diallo. Yaya was born from the rural village of Fienso, in the Republic of Mali, in West Africa. Diallo plays the same hand drum as we do in class which is known as the djembe. He also plays the balafon, which is like a wooden xylophone. Yaya is a member of the Minianka people. He was raised in a culture that works, worships, lives and breathes to the beat of the drum. The African drum is an instrument for transmitting traditional knowledge among the Minianka, the drum is the focal point of Yaya's life story, and his link through music with the western world. Yaya’s book discusses music, healing, indigenous view of life and harmony. Yaya shows us that music is an integral part of village life. Music is a vital aspect of life which sustains the society and heals lost souls. Music was played while working in the fields and in the village square at night. Music is basically an essential part of all occasions. It is used for work, celebration, ritual, initiations, funerals, and healing. Each activity has its own special rhythms and harmonies. The musician is a healer and a protector of the individual and the society. They were expected to maintain high moral standards because of their power to influence people through the music. Each piece of music has implications, positive or negative, and the musician has a responsibility to the community to play well and appropriately. Music to the Minianka is much more than just entertainment. In the Minianka tradition, music is a therapy for both physical and psychological imbalances. Their music is used to establish communication with the ancestors, the spirit, and the Creator. Yaya was born in 1946. He was enrolled in the French colonial school where his French teachers tried to undermine village influences and thought them to

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