The Goner Pillow Company Analysis

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William Clay Professor Rickenbacker English I 2 October 2006 Week Two: Journal Assignment Three: “The Goner Pillow Company” - Respond to # 1 and # 5 p. 223 “1. What actually happens during the course of “The Goner Pillow Company” (p. 224)? How much time do you think goes by from first panel to last?” (Kirszner & Mandell 223) The author, Ben Katchor, in his cartoon, “The Goner Pillow Company” (qtd. in Kirszner & Mandell 224) describes a timeline in history of what has happened to the residents that lived in big city urban high-rise apartment buildings. In an evolutionary way of how people in that environment where forced to react not by new technologies, because “VIEWERS ARE SLOWLY DRAWN AWAY FROM TELEVISION AND INTERNET.” (qtd. in…show more content…
The author starts the cartoon story off in the first panel with a young boy remembering watching his grandmother looking out of her window, which was her form of entertainment at the time, with her elbows resting on a pillow, as they use to do before people could afford air-conditioned window units in big city apartment buildings. The boy, “ARRON GONER…” (qtd. in Kirszner & Mandell 224) grows up and starts his own pillow factory “…SPECIALLY DESIGNED FOR USE ON WINDOW SILLS.” (qtd. in Kirszner & Mandell 224) Thus came to be, The Goner Pillow…show more content…
How do the words and images in this story work together to recreate a “disappearing urban ambience”?” (Kirszner & Mandell 223) The author, Ben Katchor, in his cartoon, “The Goner Pillow Company” (qtd. in Kirszner & Mandell 224) uses in his panel cartoon story a number of words and images to recreate this dying culture of living in a big city urban high-rise apartment building. Around the seventh panel the author questions, “DO THEY MISS COHESIVE NARRATIVES?” (qtd. in Kirszner & Mandell 224) with a man looking out his window expressing the passage of time by saying, “HE WAS A DELIVERY BOY; NOW HE OWNS THE PLACE.” (qtd. in Kirszner & Mandell 224) while he watches from his upper window, resting on his feather pillow, watching a man walking down the road with a cigarette dangling from his lips. Even in the eighth panel the author shows a woman leaning on one elbow on her window pillow looking out and saying to herself, “IT’S UNRECONIZABLE FROM LAST YEAR?” (qtd. in Kirszner & Mandell 224) as if she is starting to get bored but tries to find a reason within herself to keep looking out her window with her

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