Byronic heroes were used to describe Lord Byron by his jilted lover, Lady Caroline. She would describe him as “mad, bad and dangerous to know” (Wikipedia). The term reflects a flawed character and has some of the same characteristics of a Gothic character, with more of Byron’s “negative” characteristics thrown into the mix. Such character istics would include: bipolar, hates social norms, outcast, sexuality (homosexual, prostitute), cynical, loner, and self-destructive (Wikipedia). The features of Gothic fiction are both psychological and physical.
He is nervous yet scared and disgusted at the out come of his long toil. The author shows this with the quote “with an anxiety that almost amounted to agony”, again this really brings out the gothic image using pain and suffering to make sure the reader realises the full extent of the horror that Frankenstein has unleashed on the quite country around him. When the creature is finally brought to life Frankenstein’s
With his tale of corrupt patriarchy filled with mystery, romance, and tragedy, Horace Walpole bridged the gap between the wantonly romantic and the excessively realistic (Scott 11); filling the space with dark settings, stark characters and tangled narratives. It was the sum of all these parts that became the formula that is still followed today by writers of the genre. This essay will outline various elements of the typical gothic novel, and the way in which they are associated with excess in the themes, characterisation, and style of writing. In doing so, the differences in the techniques used in Walpole’s novel Castle of Otranto, and M.R James’s short story Oh, Whistle, and I’ll Come to You, My Lad, will be identified and discussed. The primary objective of Gothic novelists is to rouse the reader into eliciting emotional responses such as shock or fear (Hume 284).
Washington Irving is identified with the gothic with his “Legend of Sleepy Hollow”, however the gothic mode can also be identified in his story, “Rip Van Winkle”. To begin, both will be compared with their use of the Gothic Mode. Edgar Allan Poe’s writing set the mold for most gothic literature to follow. From “The Raven” to “The Tell-Tale Heart” his writing sets the reader on edge and fills them with unease. “Its style tends to be ornate, unnatural” (Carter 134).
How does the author want the reader to feel while reading "The Cask of Amontillado”? Poe wants to feel the unreliableness of Montresor and wants to create the gothic and spooky thrill of stories like his. What techniques does the author use to help you visualize the place, the people, and the events that are taking place within the story? Imagery was used throughout the story to describe the catacombs so that you can picture how dreary and a terrifying place it must be. As well as when Montresor describes Fortunato especially with “the wine twinkling in his eyes”.
In this part of the story Poe uses dark words to explain the vaults of Montresor. Such as a winding staircase and descent, when you picture a winding staircase that is descending you think of reaching a very low dark place of any older mansion. “I passed down a long and winding staircase, requesting him to be cautious as he followed.” (739) Back in this time when the bigger houses of wealthier men were very morbid in style of build. The reader automatically thinks of a underground, dark, and cold place making the story seem more horrid. When they get to the bottom of the staircase the reader realizes that they are standing in a network of catacombs.
People such as Alfred Hitchcock and Stephen King are all tributes to the original horror story writer, Edgar Allen Poe. Poe's haunting linguistic descriptions, unnerving parallelism between his life and his works, and alarming yet purposeful exploration of symbolism and situations draws the reader into a state of pity and sorrow while at the same times leaving them with a feeling of
Selen Yılmaz 20801395 Third Essay Outline OUTLINE The Climax of Madness Essay Topic: Compare and contrast the treatment of the theme of madness in “The Fall of the House of Usher’’ and “The Yellow Wallpaper’’. Thesis Statement: Edgar Allen Poe’s “The Fall of the House of Usher’’ and “Gilman’s “The Yellow Wallpaper’’ are stories which totally include madness, fear and dread that are products of human psychology. While Poe’s story is completely immersed in madness, Gilman’s story limits the element of madness to the imagination of the narrator. In Poe’s story, madness exists in the Usher’s house and its environment, however, in Gilman’s story, madness completely in the mind of the narrator. It shows that both stories handle the subject of growing madness, however, in Poe’s story, the madness surrounds all characters, whereas in Gilman’s story the narrator is the one who is the victim of the madness.
Eventually, the narrator heads inside to see his friend. Roderick indeed appears to be a sick man. He suffers from an "acuteness of the senses," or hyper-sensitivity to light, sound, taste, and tactile sensations; he feels that he will die of the fear he feels. He attributes part of his illness to the fact that his sister, Madeline, suffers from catalepsy (a sickness involving seizures) and will soon die, and part of it to the belief that his creepy house is sentient (able to perceive things) and has a great power over him. He hasn’t left the mansion in years.
Analyse how the theme of madness is implied and portrayed in Edgar Allan Poe’s The Fall of the House of Usher, focusing on one section of the story. Passage focus for analysis - ‘Upon my entrance, Usher arose…’ to ‘periods of his most intense excitement’, including other parts of the text. Madness is a clear theme throughout The Fall of the House of Usher, and could even be argued to be the main point of the story, as the narrator himself eventually falls victim to the insanity that consumes the household. In this extract, the focus is upon the character of Roderick Usher, his mental decline and the physical consequences. The narrator describes him as ‘lying at full length’ on a sofa, which gives the reader the image of a weak, diseased man, but Poe creates antithesis to this portrayal with the suggestion of his ‘vivacious warmth’.