The Death of the Author-Critical Analysis

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Critical Analysis of Roland Barthes “The Death of the Author” Roland Barthes says in his essay The Death of the Author, “The birth of the reader must be at the cost of the death of the Author.” For the most part I agree with this statement. There can be no real level of independent thinking achieved by the reader if their thoughts are dictated by the Author’s opinions and biases. For this reason there needs to be a distance between the Author and those who read the work. Barthes makes two main points as to why the death of the Author is an inevitable and beneficial occurrence. To begin with Barthes states that the author is merely a way through which a story is told. They neither create the story nor form it, these have already been done. The author is merely retelling this story that has already been told many times. His argument against original thought is very persuasive, especially considering the many ways stories have been logically broken down into a predictable sequence of events. For instance, Vladimir Propp (Literary Theory) a Russian Formalist used Formalist theories to determine thirty one plot functions in Russian folk tales. Each folk tale has at least some, if not all, of these functions, typically in the order which he has organized them but occasionally one or two will be inverted. Most modern fairy tales are merely an adaptation of a classic fairy tale and they follow the general functions that Propp outlined. Even beyond fairy tales, most fiction stories fall into a typical patter with a beginning problem, a training period, a set back of the hero, the hero overcoming the obstacle, the conflict, and finally resolution. There are no original thoughts, just old thoughts combined in different patterns or adjusted to fit the current society. Music, fashion, and movies are an example of the never ending recycling of ideas. There are only

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