In Act 3 scene 5 it could be argued that Juliet is failed by both her parents. Her mother, Lady Capulet, may have failed her in the sense that she does not understand Juliet or have any knowledge as to what is going on in her life. Juliet is crying because Romeo has been banished, yet Lady Capulet believes her to be crying over Tybalt’s death. Juliet cries that “no man like he doth grieve [her] heart”, referencing how upset she is that Romeo is no longer in Verona but Lady Capulet believes this to be “because the traitor murderer lives”. This illustrates how Lady Capulet is ignorant to the fact that her daughter is now married to Romeo, leading to her inability to understand the meaning behind what Juliet is saying.
I have sympathy for both sisters for very different reasons. Most of this sympathy is towards Dee. My reason is simple; I feel she has a superficial view on heritage. She is arrogant and I find her to be condescending and a little disrespectful. From the beginning when we were first introduced to Dee, we find that she has changed her name to Wangero saying that Dee is “dead” because she didn’t think her name, Dicie, had any cultural significance and so she choice a name she felt suited her more.
"(PROLOGUE 16-28)" In those lines Antigone shows that her “love” for her brother will leave her “hating” her sister. Ismene is fearful of burying Polyneices, “But think of the danger! Think of what Creon will do!” (PROLOGUE 34). Her devotion to her family is not as strong as Antigones. By accepting the obligation to bury Polyneices, Antigone acts as if she has no choice.
Finally, she admits to her nurse and confidante that she loves “the son of that Amazon mother” (Kline 264). Years before she demanded that Hippolytus be exiled because of this same love for him. Rather than dishonor herself, she has Theseus banish him. After much discussion with both her nurse Oenone and her lady-in-waiting Panope, Phaedra decides to confess her love to Hippolytus and suggest an alliance for the throne. Hippolytus is appalled by this confession and forgets his sword in his hurry to leave her presence.
She became an adult earlier than she was supposed to and therefore, within her heart she is still a child that is longing for love from her deceased parents. There was no choice for her because of the deaths of her parents caused by the Armenian and Turk disputes, so she had to grow up and take care of the rest of her family. Condensed Review of the Novel: “Nobody's Child” is a book about a family's experience during the time of amnesty and deportation of Armenians in the early 1900's for Turkish gain. The main character, Mariam, and her siblings and parents journey across the country to search for work only to be put in more danger than they would have been if they stayed at home. Mariam and her siblings meet some friends along the way which is about as much family as they'll ever have again, however, they are all ungratefully separated as the book goes on and the Turks try to win power over the Armenians.
Her dealing with these individuals has caused her to become very resentful, bitter and jealous. She was very jealous of her sister Stella-Rondo. In the text Sister stated “I was getting along fine with Mama, Papa-Daddy and Uncle Rondo until my sister Stella-Rondo just separated from her husband and came back home again” ( Welty, 367). This statement that Sister made insinuates that she does not want her sister around. And would be thankful if she went back to where she came from.
“Please don’t,” he begged. “Oh! Please don’t do that George’ll be mad” (91). Curley’s wife’s death was more her fault then Lennie’s because she wanted him to touch her hair because it was so softt. But then she panicked and Lennie doesn’t know his own strength and just kept holding on.
(291) Mother was working days at her job and decided to start on night so that she could spend the day with Emily. The system of work and taking care of emily hardly lasted. The mother sent her to his family and left here there. When life got better for mother, she raised the money for Emily's fare back. “when she finally came , I hardly knew her, walking quick and nervous like her father, looking like her father, thin,and dressed in a shoddy red that yellowed her skin and glared at the pockmarkes.
Ironically, her most valued asset, her beauty, is a trigger for her demise. Connie’s parents have different levels of involvement in Connie’s life. Connie’s mother is aware of Connie’s vanity and picks on her about it. ‘“Stop gawking at yourself,’” she tells Connie (Oates 623). Connie thinks unkindly of her mother and sister.
The very first descriptions illustrate her initial animus by describing it as “one of those sprawling flamboyant patterns committing every artistic sin” (Perkins 41-42). This is significant for it reflects the narrator’s own presence—she is committing an artistic sin during her marriage by having her engaging imagination and her need to compose. Her husband, John, dislikes this, and as a result, the narrator deliberately feels stifled and has to obscure her writing so that her husband will not know. The narrator is characterized as having a nervous state and is overly protected by her