“Terry Malloy’s Most Important Conflict Is Not with Johnny Friendly, but with Himself.” to What Extent Do You Agree?

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“Terry Malloy’s most important conflict is not with Johnny Friendly, but with himself.” To what extent do you agree? ‘On the waterfront’ is a film about a corrupted and treacherous wharf, which highlights the conflicts not only among the people – which include Johnny Friendly’s gang and the local longshoremen, but inner conflicts in the characters as well. The story’s protagonist, Terry Malloy, undergoes a tumultuous change in his life as he turns against his own “family”, battling with not only Friendly but with himself. He struggles with his conscience after he had indirectly caused the death of Joey Doyle, which creates the spark that kick-starts Terry’s personal quest in searching for the guts to make a change in his life. Though the conflict between Friendly and Malloy is the climax of the film, Terry’s internal conflict has a greater significance as it creates the base for the building of Terry’s character, the main element and theme of the film which drives the film, questioning one’s morality, conscience and judgement. Terry displays his inner confusion throughout the film through his speeches, his actions and it shows an overall growth of the character, Terry Malloy. Terry Malloy’s conflict with Friendly definitely contributes to the film, however it does so to bring about the internal conflict that he has within himself, which has a greater significance in the film. His dispute with Friendly clearly displays his inner battle of morality – doing what is right and fighting for his own rights or doing what is wrong and being in the unceasing denial of his conscience. After witnessing the death of Charlie, his hatred and wrath heightened, wracked by guilt, Terry knew that he needed to avenge his brother. The death of Charlie enabled Terry to break free from Friendly’s clutch when his relationship with Friendly (through Charlie) was severed, giving him the

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